A brief history of the Sony F5 Internal 4K hack

Published in Production

A certain 'hack' has been making the rounds, closing the performance gap between the Sony F5 and the F55. We chronicle how news spread of F5 internal 4K recording, and gauge Sony's response.

So, why does Oblivion look so good?

Published in Production

We breakdown the digital workflow of the 2012 blockbuster Oblivion, from camera choice to home distribution.

Virtual and augmented reality have been on the periphery of the consumer technology landscape for some time now. But that may be about to change, as recent activity suggests we're in the early days of a boom period.

Ever wonder what a Canon 5D MK2, an NEX FS100 and a Blackmagic Cinema camera look like, side by side? Probably not because two of these are the old models and you'd more likely be thinking about a 5D MK3, an NEX FS700 and the Blackmagic camera. But that doesn't make this any less interesting

With competition in the emerging virtual reality market heating up, Oculus Rift showed off its consumer headset and accessories, including two ways to control the action.

Sony 4K X9 series TV's now shipping

Published in Technology & Computing

Sony are now shipping their X9 series TV's with 4K resolution and Triluminos colour displays, at remarkably reasonable prices

Examining the future (and some extreme lighting) with the BSC

Published in Production

Phil Rhodes visited London's BSC Expo 2016 mounted by the British Society of Cinematographers and brought back some industry insights and a few oddities in the lighting arena.

Ned Soltz, our East Coast correspondent, has all the details on the new Sony pricing, and how it will stir up the Digital Cinematography marketplace

While the rest of the top tier television manufacturers are dropping prices of their 4K/UHD televisions, LG aims to trump the competition with the world's first OLED 4K television and a massive pre-release price cut.

Finding the sweet spot for camera design

Published in Production

Opinion: When coming up with the next great camera, perhaps manufacturers should give more thought as to how actual humans physically hold cameras.

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