When your showreel looks as good as this, you really don't have anything to prove. You don't have to convince anyone that your kit is good enough for the movies, because your showreel is the movies
Here's a showreel that we're bringing to not because it's full of CGI or motion capture, and not because it's been filmed at a trillion frames per second on a specialist camera costing $300,000. It's just the result of the everyday work of the cameraman, using relatively modest kit
- Tuesday 6 Dec 2016 - (14501) The RED Epic-W: the best dual purpose still/cinematography camera yet?
- Monday 28 Nov 2016 - (7967) Windows vs macOS: Does it even matter anymore?
- Sunday 27 Nov 2016 - (7194) RED’s radical Helium S35 8K sensor: the story so far
- Friday 2 Dec 2016 - (4154) The Panasonic HC-X1 - the new breed of ENG
- Thursday 1 Dec 2016 - (4033) Big Lightworks news: Version 14 public beta is released with a new User Interface
- Thursday 8 Dec 2016 - (86) Imagineer ramps up mocha Pro features
- Thursday 8 Dec 2016 - (393) Learn Resolve editing from importing media to final delivery
- Wednesday 7 Dec 2016 - (518) Miller ArrowX 3 tripod on test: it's all a question of balance
- Wednesday 7 Dec 2016 - (1374) Sony FS7 II out and about in New York [footage]
- Wednesday 7 Dec 2016 - (440) Steerable lasers: is this how video projectors will work in the future?