Red announces the Red Switchblade

Published in Technology & Computing

 Red's latest addition is an add-on camera control panel that provides all the basic controls for a camera assistant while also looking the part too. 

IBC 2014 Preview: OFFHOLLYWOOD's Accessories for RED cameras!

Published in Production

New York-based rental house OFFHOLLYWOOD, with the cooperation of RED cameras, has entered the accessories business, teasing three new products, with more to follow at IBC 2014.

REDRAY is real. Pictures are stunning

Published in Studio & Broadcast

REDRAY promises high quality 4K delivery and even streaming, and for the first time, we've seen the results

 There was a lot of news at IBC2014, particularly on the camera and camera accessory front, and we published a lot of stories as a result (with more still in the pipeline). Here, in case you’ve missed any of our coverage, are the highlights so far (with added Photokina).

Early this week we had a story about Matrox's DS1 Thunderbolt docking station. We said that the DS1 would go on the end of a Thunderbolt chain, with other devices in between the DS1 and the computer

Dramatic claims from RED: 21 stops from Dragon!

Published in Technology & Computing

RED and, say, Sony are diametrically different in so many ways, and perhaps no more so than in the way that the EPIC manufacturer absolutely loves to let information about new products seep from every pore

Filtering Your Look

Published in Production

A show’s look is a powerful storytelling cue that helps orient an audience to a story’s intended genre and tone. In general, comedies look sharper, bluer, and more immediate. Dramas look more diffused, warmer, and past tense. It is the cinematographer’s responsibility to create a look that is consistent with the program’s genre from the very first frame. In this article Barry Braveman looks at how this can be achieved. 

Electronics is so completely integrated now that building new equipment is just a matter of glueing together a few parts you can buy from the Internet. Is this true? And is this the biggest threat to traditional camera manufacturers? In this article, we investigate this, and the background to it, in detail

What better way to demonstrate the power of a new tablet than by asking it to edit RED 6K files in real time?

RED EPIC Monochrome: First impressions

Published in Production

We've been given a RED EPIC M Monochrome to use for a couple of weeks, lent to us by RED’s European headquarters in Pinewood Studios, West London. Why does this very high resolution black and white video camera even exist?

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