Red announces the Red Switchblade

Published in Technology & Computing

 Red's latest addition is an add-on camera control panel that provides all the basic controls for a camera assistant while also looking the part too. 

Living with Red

Published in Production

David Read gives us his heartfelt opinion after two years experience with a Red One camera

4K is just the beginning...

Published in Technology & Computing

4K is just a stepping stone on the way to higher resolutions

Opinion: Impressions of the new cameras from NAB

Published in Production

After days of walking the convention floor, Rakesh Malik reflects on the new cameras that were featured at NAB 2015.

Using just a single RED Epic and a simple 75mm master prime… oh, and an old building crammed with actors, dancers, acrobats, complex lighting, technicians, directors, producers and the film crew, this amazingly complex video was captured at 300 fps in a single shot

A RED Tech installing a DRAGON sensor at NAB: clever theater, yes, but not the big news. Written by RedShark contributor Adam Wilt

Here's another chance to read Peter Haas's epic article on when you should use raw. (It's over a year old, so you may find some of the references outdated, but it's still an important read).

Drone Report: Red-hot consumer UAVs for filmmakers

Published in Production

Guest author George Krieger, cinematographer and drone pilot (amongst many other things) takes us on a drone tour circa 2015, revealing the hottest consumer drones that will undoubtedly find their way to productions near you.

RED gets new fans

Published in Production

One big and consistent criticism of the RED Scarlet and EPIC cameras has been the fan noise. Even the die-hard owner operators who love their cameras compare it to a hairdryer when it is in full effect! RedShark contributor Freya reports

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: Electronics is so completely integrated now that building new equipment is just a matter of glueing together a few parts you can buy from the Internet. Is this true? And is this the biggest threat to traditional camera manufacturers? In this article, we investigate this, and the background to it, in detail

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