Why you should use Avid DNxHD and Apple ProRes

Published in Post & VFX

Here's another chance to read this article about why it's a good idea to use ProRes, Avid DNxHD, and any of the other production quality compression codecs

Convergent Design, who gave us one of the biggest product surprises at NAB 2013 with their Odyssey monitor/recorders, has released pricing information about their modular system, including daily rental options for additional and camera-specific codecs

Arri Alexa, LOMO, and Trent Reznor

Published in Production

DP Linus Sandgren put vintage lenses on the Arri Alexa for Ice Age, the new video for Trent Reznor’s How to Destroy Angels.

Major new software upgrade for ARRI ALEXA

Published in Production

One of the best things about modern cameras is that they just keep getting better - even after you've bought them, they just keep getting better

3.2K ProRes comes to the Arri Alexa XT

Published in Technology & Computing

 ARRI makes it clear that the Alexa is a camera for the 4K future

ProRes remains a living codec and proof of that came out two days ago when Apple announced ProRes XQ - an ever higher quality variant

Sony's Glasnost: Is Sony opening up to working with other companies and products?

The best Magic Lantern footage we've ever seen

Published in Production

 

Andre Meyer has produced some wildlife footage using a Canon 5D Mk III, the like of which we've never seen

First Footage from AJA Cion 4K camera

Published in Production

 AJA has surprised everyone with this mature-looking 4K camera for $9,000

Last week I was very fortunate to be able to borrow a Blackmagic Pocket Cinema Camera for the afternoon. I was meeting my daughter in Camden Market so I took the camera along and shot some bits and pieces. I have uploaded the footage to Vimeo

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