The AJA CION has been available for some time now, but very little finished footage has been seen so far. Here's an example from a production shot in New York.

3.2K ProRes comes to the Arri Alexa XT

Published in Technology & Computing

 ARRI makes it clear that the Alexa is a camera for the 4K future

ProRes remains a living codec and proof of that came out two days ago when Apple announced ProRes XQ - an ever higher quality variant

Ninja 2 + Nikon D800 Review: Part 1 of 3

Published in Production

DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

A new, higher quality version of ProRes is immediately supported by the ARRI Alexa

Blackmagic expands ProRes options on all cameras

Published in Production

Lately, Blackmagic Design has been rolling out new features at a more brisk pace, as evidenced by a recent firmware update that adds more ProRes recording formats to its available cameras.

Sony's Glasnost: Is Sony opening up to working with other companies and products?

AJA's Ki Pro Quad now shipping

Published in Business

AJA has announced that they're shipping this extremely capable 4K recorder and it is, perhaps, a good time to recap its functionality. There are a number of angles to this complex product

Blackmagic URSA - unboxing and first impressions

Published in Production

We've just taken delivery of an URSA for a review. Here are our first impressions

Why are there so many camera codecs?

Published in Technology & Computing

Why can't cameras all use the same codec?

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