Dell have announced that their linux based XPS13 ultrabook (codenamed "Sputnik") that was launched in the US last November is being updated and launched in Europe. It's a powerful spec, probably intended for developers - but it could be ideal for Lightworks

When is a console not a console?

Published in Post & VFX

With the arrival of an iPad app intended to be a Control Surface for FCP X, the debate about touch versus physical controllers starts here. Neil Roberts kicks it off

 It's a big day for the Lightworks team today because they're releasing a big new upgrade. Even though it's a "point" release, there's a lot of important stuff in there, so let's dive straight in

Lightworks for OS X to be revealed at NAB

Published in Post & VFX

Editshare has come right out and said it: they're going to be showing Lightworks for OS X at NAB in April. As excitement builds around the imminent public Beta release of the Linux version, a public showing of Lightworks for the Mac platform will be a major event in the timeline of NLE history, because it will be the first time that a significant NLE has been shown to work on the three major platforms in use today

New video showing important new functionality in Lightworks for Windows 11.1

For the first time at NAB 2013, end users were able to try Lightworks for OS X. This eagerly-awaited version completes the trio of platforms that this famous NLE software uniquely runs on

The Lightworks team has just released some news about all three versions of Lighworks, including a suggestion that Lightworks for OS X will enter Alpha testing shortly after NAB

The Lightworks team announces a massive improvement in Long GOP performance, which means that Editors don't have to transcode from their camera formats before they edit

Version 12 of Lightworks released today as a Public Beta for Windows and Linux. Brings Windows, Linux and Mac versions of Lightworks to parity for the first time

Lightworks: here today and here tomorrow

Published in Post & VFX

Lightworks user Patrick Jong Taylor gives a personal view on how the Hollywood-strength NLE should claim the crown in the editing industry


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