All you ever need to know about Dedolight LEDs

Published in Production

Want to know more about LED lighting? Here's your chance.

The current fixation on resolution is misplaced and we’re in danger of missing the point completely when we make films and videos

RedShark Review: Zylight F8 LED Fresnel

Published in Production

Phil Rhodes recently had the chance to test Zylight's F8 LED fresnel and discovered some innovations that may differentiate it from the competition.

LEDS: Don't mix. You can't match

Published in Technology & Computing

LED lights are a big hit. With low power consumption, long life bulbs, a relatively high light output and little heat radiating onto the set, they have become highly sought after. Kieron Seth looks at the plusses and pitfalls of LED lighting.

Better lighting with quantum dots?

Published in Production

RedShark Technical Editor Phil Rhodes lifts the veil on quantum dots, and reveals why they may revolutionize lighting and display technology.

RedShark Summer Replay: If you don't understand how we see colour, you don't understand colour. This may be the most important lesson about colour you ever read (first published October 2014).

HMI remains a viable and useful lighting technology. Phil Rhodes explains the science behind this enduring type of illumination

Lighting: The Quest for White - Part 2

Published in Technology & Computing

Part 2 of our investigation into whether we can ever get good colour from modern lighting

Could simulated skylights work for film production?

Published in Production

Phil Rhodes profiles a CoeLux, a new simulated skylight marketed to hotels and upscale residences, and explores whether such a product could be utilized for filmmaking.

Understanding Colour: Colour Gamuts

Published in Technology & Computing

Gamut is one of the stranger words in the English language. Phil Rhodes sheds some light on this often misunderstood term

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