Filmconvert recently posted a camera profile for Blackmagic Design's Ursa Mini 4.6K camera for its grading and film look product.

Colour Correction basics - an excellent tutorial video

Published in Post & VFX

As usual in the Winter season, we're re-running some of our most popular articles, in case you didn't see them the first time

The art of Colour Rendering

Published in Post & VFX

Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue

The dangers of overcooking the grade

Published in Post & VFX

Simon Wyndham argues that when grading, especially to an extreme, one should consider whether the grade will enhance or detract from the overall viewer experience.

With digital, file-based production, your experience on-set during productions is a potential minefield. Throw a complicated raw workflow into the equation, and you need help. That's the reasoning behind Magic Bullet's BulletProof

At the FCP Exchange workshops held in Las Vegas during NAB 2016, Denver Riddle of Color Grading Central previewed some upcoming updates to Color Finale for FCP X.

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

Processing colour with analogue eyes

Published in Post & VFX

Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

A major part of this film's success is surely its glorious use of colour

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

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