Built with Blender: Tears of Steel

Published in Production

For anyone that hasn't seen it yet, Tears of Steel is a heavily CGI-based short film that demonstrates the Open Source Blender's abilities as an end-to-end VFX and finishing pipeline

After close to three months developing and testing, Blackmagic has brought the latest version of its popular editing and colour grading suite, DaVinci Resolve 12.5, out of beta. This, you feel, is an essential upgrade.

Here's how to make your films look good

Published in Production

RedShark Replay: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains.

The dangers of overcooking the grade

Published in Post & VFX

Simon Wyndham argues that when grading, especially to an extreme, one should consider whether the grade will enhance or detract from the overall viewer experience.

Think you know what to do with your high dynamic range video recordings? There may be other creative possibilities of HDR that you should consider.

At the FCP Exchange workshops held in Las Vegas during NAB 2016, Denver Riddle of Color Grading Central previewed some upcoming updates to Color Finale for FCP X.

Using Resolve with the Blackmagic Cinema Camera

Published in Post & VFX

Blackmagic have just released a firmware update for the Cinema Camera which together with the latest version of Resolve bring a few changes to the workflow

RedShark Summer Replay: What Colour is Night?

Published in Post & VFX

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Digital makes everything faster, right?

Published in Technology & Computing

Where did all the time go?

Reliable and affordable studio backlighting

Published in Post & VFX

Flanders Scientific has released a budget-friendly option for lighting your colour grading suite.

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