Sony Livstream

A major part of this film's success is surely its glorious use of colour

Baselight bypasses lift, gamma and gain with v5.0

Published in Post & VFX

Grading specialist Filmlight’s latest Baselight 5.0 release takes a radical new approach to one of the long-established grading fundamentals.

Blackmagic releases DaVinci Resolve 12.5.1 update

Published in Post & VFX

Blackmagic Design has released version 12.5.1 for DaVinci Resolve and DaVinci Resolve Studio on all supported platforms—Windows, Mac and Linux. And it’s a fairly major upgrade for a .1 of a .5 minor point release.

Color in TV dramas has never been more sophisticated

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

RedShark Summer Replay: What Colour is Night?

Published in Post & VFX

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

What Da Vinci was like in 1987!

Published in Post & VFX

(This is a second chance to see this lovely retro look at DaVinci.) I'm no fashion guru, but I do remember that in 1987 women wore shoulder pads the size of a small country and men rolled up their jacket sleeves as if it was almost an anatomical necessity. And I spent hours trying to recreate Jan Hammer's synthesised guitar sound from the Miami Vice theme on my Korg keyboard.

The AJA CION has been available for some time now, but very little finished footage has been seen so far. Here's an example from a production shot in New York.

With digital, file-based production, your experience on-set during productions is a potential minefield. Throw a complicated raw workflow into the equation, and you need help. That's the reasoning behind Magic Bullet's BulletProof

The art of Colour Rendering

Published in Post & VFX

Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue

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