What Da Vinci was like in 1987!

Published in Post & VFX

(This is a second chance to see this lovely retro look at DaVinci.) I'm no fashion guru, but I do remember that in 1987 women wore shoulder pads the size of a small country and men rolled up their jacket sleeves as if it was almost an anatomical necessity. And I spent hours trying to recreate Jan Hammer's synthesised guitar sound from the Miami Vice theme on my Korg keyboard.

Baselight bypasses lift, gamma and gain with v5.0

Published in Post & VFX

Grading specialist Filmlight’s latest Baselight 5.0 release takes a radical new approach to one of the long-established grading fundamentals.

Digital makes everything faster, right?

Published in Technology & Computing

Where did all the time go?

Premier has a built-in colour grading tool that's powerful in itself, but even more so because it's right there within the application

How to colour correct on unsuitable monitors

Published in Production

The Art of Coarse Monitoring: All about monitoring -  when you absolutely should and when you may be able to get away with less-than-ideal options.

Here's how to make your films look good

Published in Production

RedShark Replay: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains (first published June 2013).

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains.

With digital, file-based production, your experience on-set during productions is a potential minefield. Throw a complicated raw workflow into the equation, and you need help. That's the reasoning behind Magic Bullet's BulletProof

Color in TV dramas has never been more sophisticated

Colour Grading in the Bedroom

Published in Post & VFX

Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

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