A major part of this film's success is surely its glorious use of colour
Blackmagic Design has released version 12.5.1 for DaVinci Resolve and DaVinci Resolve Studio on all supported platforms—Windows, Mac and Linux. And it’s a fairly major upgrade for a .1 of a .5 minor point release.
Color in TV dramas has never been more sophisticated
Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse
(This is a second chance to see this lovely retro look at DaVinci.) I'm no fashion guru, but I do remember that in 1987 women wore shoulder pads the size of a small country and men rolled up their jacket sleeves as if it was almost an anatomical necessity. And I spent hours trying to recreate Jan Hammer's synthesised guitar sound from the Miami Vice theme on my Korg keyboard.
The AJA CION has been available for some time now, but very little finished footage has been seen so far. Here's an example from a production shot in New York.
With digital, file-based production, your experience on-set during productions is a potential minefield. Throw a complicated raw workflow into the equation, and you need help. That's the reasoning behind Magic Bullet's BulletProof