Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

What colour is night?

Published in Post & VFX

What colour is night? This simple question leads to some deeper questions about colour in film making

Reliable and affordable studio backlighting

Published in Post & VFX

Flanders Scientific has released a budget-friendly option for lighting your colour grading suite.

A major part of this film's success is surely its glorious use of colour

Magic Bullet Looks - RedShark Review including video

Published in Post & VFX

In the first of a two-part series, RedShark News Contributor Kevin Luiz explores the current incarnation of Red Giant's popular Magic Bullet Looks, the colour-grading centerpiece of the Magic Bullet Suite.

Nvidia GeForce GTX 980 tested with Resolve

Published in Post & VFX

Red Shark Technical Editor, Phil Rhodes, puts Nvidia's latest and greatest GPU through its paces, giving them a strenous colour correcting workout with Resolve and hardly booting up Elite: Dangerous at all.

Digital makes everything faster, right?

Published in Technology & Computing

Where did all the time go?

Colour Correction basics - an excellent tutorial video

Published in Post & VFX

Replay: How often do people really take the time to explain the real basics? With stuff like colour correction, while you can and should rely on your eyes and a good, colour-calibrated monitoring system, you also need to make sure that your graded output is technically OK, or it might be rejected by your client

Think you know what to do with your high dynamic range video recordings? There may be other creative possibilities of HDR that you should consider.

Color grading in black and white

Published in Post & VFX

Tim Burton’s stop-motion Frankenweenie calls for black and white grading

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