RedShark's 12 Days of Christmas Replays: Arguments - even traditional Boxing Day ones - about film vs digital are more numerous and more subtle than "which looks better?". It affects everything. Here's what people at the coal-face think. By Matt Aindow

We delve into the topic of IMAX projection systems, as a technical format and exhibition standard, and look to its future.

Has the presence of cameras altered the course of history?

How Atsuki Sato and his team used Adobe Premiere Pro CC to complete Hideaki Anno's monster film on time.

Why adding noise to video can be good

Published in Technology & Computing

Adding noise to video may seem daft, but sometimes, it's the best thing to do

IBC 2012: Roger Deakins on the Arri Alexa

Published in Production

We're pretty sure Arri doesn't need any help from us to sell their popular Alexa cameras, but we found this clip from an Arri-staged event at IBC 2012 that features Roger Deakins, the award-winning Chief Cinematographer on Skyfall.

Can film in the UK make a comeback? Cinelabs International certainly seem to think so, as they have just acquired Bucks Media Services which is one of the few small film labs left in the UK

RedShark  Replay: ISO ratings made perfect sense in the days of photochemical film but only serve to muddy the waters when it comes to assessing camera performance in the digital age.

Is this finally the end for film?

Published in Technology & Computing

ARRI's Alexa 65mm has made us think that it's a good time to look again at this question

VFX goes international

Published in Post & VFX

HaZ looks at the trend for post production and VFX to be moved overseas and asks the question: what does this mean to new and existing visual effects artists?

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