Kodak confirms that film isn't going away

Published in Production

Kodak has committed to keep producing film for studios and filmmakers - for as long as they want to use it

VFX goes international

Published in Post & VFX

HaZ looks at the trend for post production and VFX to be moved overseas and asks the question: what does this mean to new and existing visual effects artists?

How to understand Dynamic Range

Published in Technology & Computing

Camera performance is now measured as much in terms of Dynamic Range as Resolution. Phil Rhodes explains this essential aspect of camera technology

 If you live in the US and want to see a Paramount movie on 35mm, you're going to have to go and watch Anchorman 2. Well, it is described as “nearly as funny as its predecessor” on Rotten Tomatoes

Can Blackmagic resurrect film?

Published in Business

You know what you never hear in the edit bay? “This looks too much like film, can we make this look less filmic?” John Burkhart reports

Digital makes everything faster, right?

Published in Technology & Computing

Where did all the time go?

An elegantly arranged test between some well known digital cameras and an analogue one!

If you're still taking pictures with film, there are still quite a few places that will develop it for you, and some, even, who will scan the images send them to you in a digital form. But what do you do if you've discovered a stash of old film footage?

Digital Bolex: It's a drama

Published in Business

Never mind that it will be used to shoot drama - the story behind the design and production of the Digital Bolex D16 is a drama in itself

Practical 3D Filmmaking

Published in Production

Karl Schodt is an experienced 3D filmmaker. He believes that 3D's time is still to come; but come it will, and it will be soon

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