Digital makes everything faster, right?

Published in Technology & Computing

Where did all the time go?

Has the presence of cameras altered the course of history?

Why adding noise to video can be good

Published in Technology & Computing

Adding noise to video may seem daft, but sometimes, it's the best thing to do

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

What is it about Film?

Published in Production

"There is no creative advantage to shooting film" says a top industry figure.  So why do top movie directors keep using it? By Matt Aindow

Is 3D just a phase? Danny Boyle thinks so

Published in Business

Now that the BBC has said that it's not actively pursuing a 3D future any more, does Stereoscopic video have any future? Danny Boyle doesn't think so

Super 8 is becoming popular again

Published in Technology & Computing

"'s perhaps surprising that the Super-8 film format is still – in what we might have expected to be the twilight of its years – quite popular. The popularity of retro-styled web imaging services like Instagram is another instance of what I suspect may be the same trend, and goes some way toward confirming the suspicion that distressed images are now just as fashionable as distressed jeans"

Digital Bolex: It's a drama

Published in Business

Never mind that it will be used to shoot drama - the story behind the design and production of the Digital Bolex D16 is a drama in itself

VFX goes international

Published in Post & VFX

HaZ looks at the trend for post production and VFX to be moved overseas and asks the question: what does this mean to new and existing visual effects artists?

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Toda, we're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject.

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