Can you make a feature film with an iPhone?

Published in Production

Can you make a feature film with an iPhone? Well, "yes" is the answer if you don't mind a slightly fuzzy-looking picture on a big screen, and if you sit far enough away, but you can certainly get a cinematic "look" if you use cinema-type techniques when you make your film, and some software to give your work its finishing touches.

4K cameras: A rundown of what's available now

Published in Production

In between IBC and NAB, most of the newly-announced 4K cameras are on sale. So before the expected avalanche of 4K announcements and previews at NAB, we thought we'd ask Phil Rhodes to run though what you can buy now

DaVinci Resolve 10 is one of the applications that has been optimised to run on the new Mac Pro and now, thanks to Dado Valentic from Mytherapy, we can see just how fast it runs. You may be surprised at some of the results!

Just in case you're not fully up to speed with HDR and its importance, a quick rewind to just after IBC2014 when Dolby first introduced Dolby Vision and a look at some of the underlying principles.

Claudio Miranda on Oblivion and the Sony F65

Published in Production

There's no doubt that Sony's pretty pleased about the results of their F65's role in Oblivion. And well they might be: the internet is bursting with plaudits for the look and style of the film

So, why does Oblivion look so good?

Published in Production

We breakdown the digital workflow of the 2012 blockbuster Oblivion, from camera choice to home distribution.

Why are some cameras so expensive while others are so cheap?

Published in Business

RedShark Replay: Why is there such a huge difference in the price of some cameras, which might both be supposedly "Cinema Quality"?

Where's RED in the Oscars?

Published in Production


RED cameras are used in so many films. So why aren't they showing up in the Oscar nominations?

3 best things at IBC 2012

Published in Business

IBC is a convention for the moving image industry that is second only to NAB. It's an event that's amazing in its size and scope. We haven't been around long enough to have our own official awards, so here's my own ideosyncratic top three from this year's show, in reverse order

London from the air in true 4K with a Sony F65

Published in Production

Here's the first film we've seen showing London from the air filmed in genuine 4K with a Sony F65

Page 1 of 3

Twitter Feed