4K cameras: A rundown of what's available now

Published in Production

In between IBC and NAB, most of the newly-announced 4K cameras are on sale. So before the expected avalanche of 4K announcements and previews at NAB, we thought we'd ask Phil Rhodes to run though what you can buy now

Why the Sony F65 is still on top

Published in Production

With Sony's F55 shaping up to be such a good device, it's reasonable to wonder about the future role of Sony's flagship camera, the F65.  We spoke to Richard Lewis, Product Specialist for Cimenatography at Sony Europe, to get some definitive answers

Claudio Miranda on Oblivion and the Sony F65

Published in Production

There's no doubt that Sony's pretty pleased about the results of their F65's role in Oblivion. And well they might be: the internet is bursting with plaudits for the look and style of the film

Does this send film to Oblivion?

Published in Technology & Computing

You may think we're hammering it a bit with the Sony F65, what with our piece on Belle, and with our forthcoming article on what differentiates the F65 from the F55, but let's be clear about this: we are actually at the point where you can make better films with video than you ever could with celluloid - and that's worth a significant amount of coverage

Oblivion maximises the benefits of shooting in 4K

Published in Production

You wouldn't expect any film with Tom Cruise in it to be short on production values and Oblivion proves the point. Shot in shimmering 4K with Sony's F65, it relies less overtly on computer-generated special effects than other sci-fi blockbusters

Why are some cameras so expensive while others are so cheap?

Published in Business

RedShark Replay: Why is there such a huge difference in the price of some cameras, which might both be supposedly "Cinema Quality"?

Phil Rhodes takes a detailed look at the Sony FS5, a small yet powerful 4K shooter, and considers its place in an increasingly crowded market.

3 best things at IBC 2012

Published in Business

IBC is a convention for the moving image industry that is second only to NAB. It's an event that's amazing in its size and scope. We haven't been around long enough to have our own official awards, so here's my own ideosyncratic top three from this year's show, in reverse order

London from the air in true 4K with a Sony F65

Published in Production

Here's the first film we've seen showing London from the air filmed in genuine 4K with a Sony F65

Where's RED in the Oscars?

Published in Production

 

RED cameras are used in so many films. So why aren't they showing up in the Oscar nominations?

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