This is how to make a showreel

Published in Post & VFX

This is how to make a showreel. You have just a few minutes to grab people's attention. This is your calling card

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains.

At the FCP Exchange workshops held in Las Vegas during NAB 2016, Denver Riddle of Color Grading Central previewed some upcoming updates to Color Finale for FCP X.

What colour is night?

Published in Post & VFX

What colour is night? This simple question leads to some deeper questions about colour in film making

Processing colour with analogue eyes

Published in Post & VFX

Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

A beginner's intro to colour correction

Published in Post & VFX

An invaluable video that helps explain everything to do with colour correction for those just starting out.

RedShark Summer Replay: What Colour is Night?

Published in Post & VFX

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

The dangers of overcooking the grade

Published in Post & VFX

Simon Wyndham argues that when grading, especially to an extreme, one should consider whether the grade will enhance or detract from the overall viewer experience.

Colour grading breakdown

Published in Post & VFX

Colour grading has moved into the mainstream of video production, and we're always thirsty for advice about how get the job done convincingly - hopefully adding value to the finished work

Colour Grading in the Bedroom

Published in Post & VFX

Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

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