Today will see the first major round of Press events at NAB in Las Vegas, as the world’s broadcast and film technology manufacturers announce what they will be releasing to make our lives easier in the next 12 months. That’s what they hope, but what do we expect? Miguel Ferros reports
In the third and final part of Red Shark Technical Editor, Phil Rhodes' examination of the complexities of the Academy Color Encoding System (ACES), we look at how it's working out in the real world.
The new iPad - now in its second generation only months after the first Retina device - has the highest resolution screen ever seen on a mobile device, with significantly more pixels than even a full HD (1080p) monitor. There's room for a full HD picture and other data or UI elements all round it.
ACES high. With the technology looking set to feature prominently at NAB, Red Shark Technical Editor, Phil Rhodes, delves into the complexities of the Academy Color Encoding System (ACES). Part One looks at the problems it sets out to solve.
In our continuing feature, Red Shark Technical Editor, Phil Rhodes, delves into the complexities of the Academy Color Encoding System (ACES). Part Two looks at how the system works.
How do we measure the largely intangible quality about a given device that somehow makes the pictures from Camera A look better than the ones from Camera B?
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- Tuesday 29 Sep 2015 - (9377) Why the film look still matters in the digital age
- Friday 9 Oct 2015 - (100) DJI intros integrated, stabilised handheld 4K camera
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