Seeing Red

Published in Business

There's always a moment when the harsh nature of reality is crystallised; when however hard you try, you can't pretend any more that things are OK.  For most people, this type of thing happens when they get their first credit card bill after Christmas. For Red, one imagines, their corporate hearts stopped for a moment last Tuesday, 30th October, when Sony revealed the scale of their new camera ecosystem.

Here it is: the new 4K EOS C300 MK II

Sony wins the DSLR war!

Published in Business

Or does it? A victory for Sony can only really be confirmed if you accept that there was a war in the first place. Canon might beg to differ.

Cinematography: What will Canon do next?

Published in Production

We're just guessing here, but we just wondered what Canon might do next for video makers with its cinematography cameras

Keeping the pixel-count real

Published in Technology & Computing

There are several 4K cameras out there. Remarkable though they are, what the manufacturers mean by “4K” needs some interpretation and explanation.

 Our friends at Cinema 5D have an interesting theory - and they may well be right. Does this mean a new Canon EOS 5D?

Where next for Canon's Cinema Cameras?

Published in Technology & Computing

 In the midst of rumours about Canon's Cinema Camera range, Phil Rhodes looks at the problems posed by updating your camera range too soon.

New Canon Cinema EOS System Lenses

Published in Production

Canon has released two new lenses to for its growing Cinema EOS System. The CN-E 14mm T3.1 L F and the CN-E 135mm T2.2 L F are aimed at a wide range of uses "from low to high-end", according to the lens and camera manufacturer

How do you make the right choice from the plethora of good cameras available today? Especially if you want to make a film on your own.

F55: Where does it fit?

Published in Production

Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace

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