We're going to take a much closer look at this very soon, but I wanted to quickly bring you my first impressions.

 This will be the year when everyone realises that our industry (and, for that matter, every industry - but especially ours) is on an incredible journey. It's as if you only have to wait a year or so for your wildest technology dreams and fantasies to come true

Film Scanning for the future with 4K Blackmagic Cintel

Published in Post & VFX

 Where's the best source for 4K material? Old films. Blackmagic brings down the cost of film scanning

Much has been made of the upcoming Canon 70D’s new autofocus system. Panasonic’s been working on its own revolution in autofocus. But where is it?

RedShark Review: Blackmagic's versatile new Video Assist

Published in Production

Simon Wyndham spends time with the new $495 Blackmagic Video Assist and finds a unit that will appeal to people who are on a budget but still require a high quality, versatile monitor with good recording capabilities.

Blackmagic Davinci Resolve 10: The full rundown

Published in Post & VFX

Here's a full-length, in-depth look at Resolve 10 and the background to its development. RedShark reporter John Burkhart has been talking to Blackmagic about this seminal post production application.

Why the new ProRes update for the Blackmagic cameras is going to change everything for users of the Blackmagic pocket camera and open possibilities to new users who thought it might be out of reach for them too!

Blackmagic's pocket cinema camera surprised everyone when it was announced, first by its mere and unexpected appearance, and second, by it's strikingly low price

Blackmagic has unveiled the latest iteration of its popular color grading application, Da Vinci Resolve, with a public beta that furthers its progression towards being a fully-featured editor.

Blackmagic's introduction of the Ursa Mini camera again calls into question why a certain lens does not exist.

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