Could cameras like the AJA CION usher in a return to capturing great images in-camera? Simon Wyndham investigates.

I may be the editor of RedShark but until today I haven't actually had a chance to get my hands on a Blackmagic Cinema Camera other than at trade shows.  Well, we do have one now and I was in London helping Phil Rhodes shoot some scenes for an upcoming article - so I just thought that, even though I'm  probably the last person on earth to see the camera properly, I'd write some first impressions

Opinion: Impressions of the new cameras from NAB

Published in Production

After days of walking the convention floor, Rakesh Malik reflects on the new cameras that were featured at NAB 2015.

Much has been made of the upcoming Canon 70D’s new autofocus system. Panasonic’s been working on its own revolution in autofocus. But where is it?

Jonny Elwyn tries out the multitude of new editing tools in the public beta of Blackmagic's DaVinci Resolve 12 and gives us the lowdown from an editor's point of view.

Grant Petty on all things Blackmagic

Published in Business

Here's an extended interview with Blackmagic CEO Grant Petty in which he talks about a lot of interesting stuff - including possible Quicktime wrappers for the raw output from Blackmagic's cameras

There's so much interest in the Blackmagic Pocket Cinema Camera, and so little footage available from it, that when some does appear, it is news

Blackmagic's pocket cinema camera surprised everyone when it was announced, first by its mere and unexpected appearance, and second, by it's strikingly low price

RedShark News Technical Editor, Phil Rhodes, reviews Blackmagic's 4K SDI to HDMI converter and investigates its usefulness in a production environment.

Video: Blackmagic's NAB news conference

Published in Business

At NAB 2013, Blackmagic pretty much stole the show with their camera and 4K announcements. Here's a video of the whole press conference

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