Atomos Ninja 2 + Nikon D800: Part 3 of 3

Published in Production

Phil Rhodes looks at how you would use the Ninja 2 and Nikon D800 on a shoot. But first he compares HDMI and SDI.

Phil Rhodes, our Technical Editor, may incur the wrath of audiophiles and engineers with thie idea that "the audio equipment world has it fairly easy," but he draws intriguing parallels between audio and camera equipment development, which may be instructive for manufacturers.

Zoom H6: A new standard in audio?

Published in Audio

There's going to be no shortage of very highly capable cameras in the next few months and years. DSLRs have been on the video scene for a few years, and now face competition from relatively low-cost cameras aimed directly at the cinematography marketplace

RedShark Review: Beachtek DXA-SLR ULTRA

Published in Audio

The Beachtek DXA-SLR ULTRA is an inexpensive audio interface and pre-amp that fits under your camera

After an intensive development programme, iZotope has just released its RX Post Production Suite and a new version of its well-regarded RX 5 Audio Editor.

The pro audio monitors disguised as computer speakers

Published in Audio

Memory chip manufacturer Corsair has quietly been manufacturing a set of 2.1 "computer" speakers that sound far better than they should for the price. In fact, they're pretty much ideal for professional use, if you're on a budget

Sony says goodbye to Minidisc

Published in Audio

Sony has announced that it is stopping production of Minidisc recorders and players after 21 years. Most 20 year old audio enthusiasts would be surprised to hear that they were born after the arrival of this digital audio disk system. But how did it manage to cling to life for so long?

The importance of audio in video making

Published in Audio

Here's a short series of videos from Microphone manufacturers Sennheiser that will help you improve your sound when shooting

How to fund a short/independent film - Part 1 of 3

Published in Business

Every film-maker starting out wants to make the best short film, and get the best people and equipment to make it happen - but often with little or no budget at all, all in the hope that the idea is strong enough to get investors and potential co-workers to commit.

Audio brings life to animations

Published in Post & VFX

I was present at the audio mixing stage of Aardman Animations' "The Wrong Trousers" or "Wallace and Gromit" as most people remember it. This stop-motion animation classic was hilarious from the first frame to the last, but for me the most memorable thing was seeing it without sound, and then with sound

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