What's the most important thing when mixing audio for video?

Published in Audio

There's one thing that matters above all else when you're mixing for films or TV

Whether you call it single system or in-camera sound, it may be time that camera makers develop products with better native audio recording capabilities.

Rode launches impressive new Stereo VideoMic X

Published in Audio

Rode has announced a new camera microphone, the Stereo VideoMic X, which appears to be an interesting dual capsule setup in an XY Stereo configuration. The two microphone capsules are acoustically matched and have shock mounting built in at the capsule level.

A great christmas present (including to yourself).

Published in Audio

We reviewed these at the beginning of the year. I've been using them since then and they're still brilliant. If you want to treat yourself this Christmas...

In praise of the sound recordist

Published in Audio

Now this may seem weird coming from someone who’s been a cameraman for most of his working life and maybe it’s bit late to make amends, but I think it is time to reassert the importance of the sound recordist. By Roland Denning.

In space, no-one can hear... dialogue

Published in Audio

What was that you just said? Modern films are being ruined by unintelligible dialogue

After an intensive development programme, iZotope has just released its RX Post Production Suite and a new version of its well-regarded RX 5 Audio Editor.

Royalty free music licensing?

Published in Production

In much the same way that royalty free businesses have revolutionised the way the industry deals with stock photography, a new site is looking to do the same with audio files.

Zacuto posts new audio tutorial series

Published in Audio

Zacuto, the Filmmaking accessories company, has posted a series of audio-for-video tutorials on its site

Ninja 2 + Nikon D800 Review: Part 1 of 3

Published in Production

DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

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