Apple's Lightning audio...for cameras?

Published in Audio

Rumours of a certain subtraction from the upcoming iPhone 7 raises some interesting questions for camera audio.

After an intensive development programme, iZotope has just released its RX Post Production Suite and a new version of its well-regarded RX 5 Audio Editor.

Rode launches impressive new Stereo VideoMic X

Published in Audio

Rode has announced a new camera microphone, the Stereo VideoMic X, which appears to be an interesting dual capsule setup in an XY Stereo configuration. The two microphone capsules are acoustically matched and have shock mounting built in at the capsule level.

There are advantagest to Adobe CC: you get iZotope tools

Published in Audio

iZotope's audio tools technology is now included with Adobe Premiere Creative Cloud

The pro audio monitors disguised as computer speakers

Published in Audio

Memory chip manufacturer Corsair has quietly been manufacturing a set of 2.1 "computer" speakers that sound far better than they should for the price. In fact, they're pretty much ideal for professional use, if you're on a budget

10 mics per car: what it takes to record audio for videogames

Published in Audio

We’ve had an exclusive first look at a new case study microphone manufacturer DPA has produced about UK game developer Codemasters' use of their mics. And the attention to detail is astonishing.

Making sounds in the editing room

Published in Post & VFX

Guest Author Vladomir Boboshin details exactly what you can do when your role shifts from editor to emergency sound designer.

Pro Tools 11.0 released by Avid

Published in Audio

Pro tools has been around since 1991, a time when doing any sort of digital audio editing was a technical challenge. The most you could expect was to play back a few tracks, and there were absolutely no real-time effects or processes (apart from volume!) at that time. Now, an important new version is released

There is no single element more important to a film trailer than the music. Unfortunately, many editors think that simply using horn-heavy, orchestral music is appropriate for every trailer. In reality, there’s a lot more that goes into finding the perfect track. Let’s take a look at a few ways to pick the perfect track for your trailer.

RedShark Sound is coming in 2016!

Published in Audio

Coming soon: a dedicated site powered and created by the same team behind RedShark News. It will be the new Home Page for audio on the web. 

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