RedShark Sound is coming in 2016!

Published in Audio

Coming soon: a dedicated site powered and created by the same team behind RedShark News. It will be the new Home Page for audio on the web. 

Equipment for reproducing high end audio - so that you can actually hear the difference - is expensive. Would you buy Sony's top-end Walkman?

View From the Top: Sound Devices

Published in Audio

We ask industry leaders to tell us about their companies and how they see the future. External recorders are now selling in large numbers and the Sound Devices Pix 240 is a popular example.  Jon Tatooles, Managing Director of Sound Devices, tells us about his company and how he sees the years ahead.

Zoom H6: A new standard in audio?

Published in Audio

There's going to be no shortage of very highly capable cameras in the next few months and years. DSLRs have been on the video scene for a few years, and now face competition from relatively low-cost cameras aimed directly at the cinematography marketplace

Here's something impossible, being done.

Published in Audio

This is an older RedShark article that we're republishing today, because it doesn't matter how many times we see this demo of Melodyne: it's simply amazing, and that's because this is something that isn't supposed to be possible

Audio brings life to animations

Published in Post & VFX

I was present at the audio mixing stage of Aardman Animations' "The Wrong Trousers" or "Wallace and Gromit" as most people remember it. This stop-motion animation classic was hilarious from the first frame to the last, but for me the most memorable thing was seeing it without sound, and then with sound

The next generation of audio for TV

Published in Studio & Broadcast

The next generation of audio for television is set to be much more flexible

Pro Tools is on the RADAR

Published in Audio

Here's a new device that will run Pro Tools natively, and fully optimise it for multitrack studio recording

Ninja 2 + Nikon D800 Review: Part 1 of 3

Published in Production

DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

There are advantagest to Adobe CC: you get iZotope tools

Published in Audio

iZotope's audio tools technology is now included with Adobe Premiere Creative Cloud

Page 1 of 5

Twitter Feed