If you need to record or digitse sound professionally, you need a high quality analogue to digital converter. We test the PrismSound Titan - a high-performing, high-end USB audio interface

There is no single element more important to a film trailer than the music. Unfortunately, many editors think that simply using horn-heavy, orchestral music is appropriate for every trailer. In reality, there’s a lot more that goes into finding the perfect track. Let’s take a look at a few ways to pick the perfect track for your trailer.

A great christmas present (including to yourself).

Published in Audio

We reviewed these at the beginning of the year. I've been using them since then and they're still brilliant. If you want to treat yourself this Christmas...

Royalty free music licensing?

Published in Production

In much the same way that royalty free businesses have revolutionised the way the industry deals with stock photography, a new site is looking to do the same with audio files.

The perfect use for an iPhone? The RØDE iXY microphone system

Published in Audio

RØDE announces a stereo mic and iOS app designed for iPhone and iPad users

How to fund a short/independent film - Part 1 of 3

Published in Business

Every film-maker starting out wants to make the best short film, and get the best people and equipment to make it happen - but often with little or no budget at all, all in the hope that the idea is strong enough to get investors and potential co-workers to commit.

New Audio section in RedShark

Published in Audio

RedShark now has a dedicated audio section. We're doing this to ensure that we give the best possible coverage to this imortant part of content creation

There are advantagest to Adobe CC: you get iZotope tools

Published in Audio

iZotope's audio tools technology is now included with Adobe Premiere Creative Cloud

Pro Tools 11.0 released by Avid

Published in Audio

Pro tools has been around since 1991, a time when doing any sort of digital audio editing was a technical challenge. The most you could expect was to play back a few tracks, and there were absolutely no real-time effects or processes (apart from volume!) at that time. Now, an important new version is released

Ninja 2 + Nikon D800 Review: Part 1 of 3

Published in Production

DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

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