A clever little anamorphic adaptor opens up new possibilities for the ARRI Alexa

How Atsuki Sato and his team used Adobe Premiere Pro CC to complete Hideaki Anno's monster film on time.

More signs that the Digital Bolex D16 is coming to life. The picture above is one of the first raw images to come from this much awaited camera

Could the Amira be the ultimate indie digital cinema camera?

Which is more important - the DOP or the Camera?

Published in Production

Why would someone specify a camera before they chose the cinematographer? David Read despairs...

A sensational new ARRI ALEXA has just been announced

ARRI unveils radical new ALEXA Mini

Published in Production

ARRI’s new cube-shaped camera is designed to be the most versatile Mini camera around and the spec, revealed as a prototype is about to debut at BVE, is certainly impressive.

4K cameras: A rundown of what's available now

Published in Production

In between IBC and NAB, most of the newly-announced 4K cameras are on sale. So before the expected avalanche of 4K announcements and previews at NAB, we thought we'd ask Phil Rhodes to run though what you can buy now

The new ALEXA XST is a technological tour-de-force that uses ARRI's classic sensor. How does it get 4K from this less-than-4K imager? And what are the advantages of this approach?

Our resident VFX expert, HaZ, made an on-set discovery that not only eased his workflow, but solidified, in his opinion, the ARRI Alexa as the go-to camera for VFX shoots.

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