How Atsuki Sato and his team used Adobe Premiere Pro CC to complete Hideaki Anno's monster film on time.
As Phil Rhodes reports, ASC member Steve Yedlin’s experiments with emulating film lead to some very interesting areas.
As we saw in my previous article on sensor technology, we can now build sensors with enormous numbers attached to them - if not trivially, at least reliably. Given that current 4K sensors are more than adequate to replace 35mm film in terms of sheer resolution, we need to be careful about turning this into a numbers game.
- Monday 16 Jan 2017 - (21345) Just how good is AMD's impressive new Ryzen CPU?
- Friday 13 Jan 2017 - (16652) Why FCPX 10.3 is the NLE of the future
- Sunday 22 Jan 2017 - (9797) How the internet echo chamber fails new cameras
- Friday 20 Jan 2017 - (9046) The Sony FS7 II and why it absolutely is a big deal
- Tuesday 10 Jan 2017 - (8909) RED Helium is the "best sensor ever" according to DxO
- Wednesday 25 Jan 2017 - (117) Is Apple investigating VR? Of course it is!
- Tuesday 24 Jan 2017 - (474) The Core SWX Hypercore Slim: a battery with an accelerometer
- Tuesday 24 Jan 2017 - (4382) The new Canon EOS C700 impresses in the field
- Tuesday 24 Jan 2017 - (3025) Razer Blade GTX 1060 review: why stop at gaming?
- Monday 23 Jan 2017 - (1986) Want to make a feature film? This is how much money you will really need