Ned Soltz, our East Coast correspondent, has all the details on the new Sony pricing, and how it will stir up the Digital Cinematography marketplace

The Ursa Mini 4K: how cameras can get out of the way

Published in Production

Phil Rhodes takes another look at the Ursa Mini 4K and explores the greatest gift any camera can bestow on a production: letting people simply get on with the business of making films.

Making sense of sensors: Part 1 of 2

Published in Technology & Computing

Film always used to be the main thing that determined how a photograph looked. Now, it's the sensor. So camera manufacturers have taken on a huge extra responsibility!

Shooting on the Arri Alexa in a 4K UHD future

Published in Production

Think the ARRI Alexa only does HD? Think again!

Zeiss NAB Showcase Video

Published in Production

Not quite ready to put NAB 2013 in the books? Then here's a treat, courtesy of Zeiss: the company's NAB 2013 highlight reel, showcasing new compact zoom and anamorphic lenses!

Which is more important - the DOP or the Camera?

Published in Production

Why would someone specify a camera before they chose the cinematographer? David Read despairs...

More details on the ARRI Amira

Published in Production

I spoke to the ARRI Amira product manager for the new camera to confirm a few things. While some of this is available from ARRI's website, I just wanted to go over the most important things here

Phil Rhodes on the Alexa 65

Published in Production

RedShark Technical Editor Phil Rhodes shares his thoughts on ARRI's announcement of its 65mm 6.5k Alexa 65, including why ARRI hasn't made a super35 4K camera, likely uses for the camera, and a quick run of the numbers.

F55: Where does it fit?

Published in Production

Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace

 Freya Black gives more details on how the ARRI Amira is going to ouput 4K

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