Freya Black gives more details on how the ARRI Amira is going to ouput 4K

Our resident VFX expert, HaZ, made an on-set discovery that not only eased his workflow, but solidified, in his opinion, the ARRI Alexa as the go-to camera for VFX shoots.

Popular though the Arri Alexa is, some people have been deterred from recording the Raw output by the requirement for the camera to be tethered to an outboard recorder which sometimes cost as much to rent as the camera itself! RedShark contributor Freya reports

How to work with high ISO

Published in Production

Barry Braverman took the ISO 5000 Panasonic Varicam 35 out for a night shoot in Paris, an experience which has left him with some very definite opinions on the difficulties of shooting at high ISO.

AMIRA, the brand new documentary style camera by ARRI, made its worldwide debut at Dublin’s Digital Biscuit conference this week, and we're slowly learning more about this intriguing camera

Is this finally the end for film?

Published in Technology & Computing

ARRI's Alexa 65mm has made us think that it's a good time to look again at this question

ARRI ALEXA Mini costs $36,000...and it's a steal

Published in Production

While it may disappoint many observors who had hopes of a truly affordable ARRI camera, the premium pricing of the ALEXA Mini may be justified by saving productions money down the line.

The Sony A7S has an extraordinary dynamic range

Published in Production

Sony's A7S has a low noise floor which helps it to achieve Sony's claimed 15.3 stops (at least with still shots - and it's not far from that with video). But what does this look like?

F55: Where does it fit?

Published in Production

Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace

Testing the ARRI AMIRA in the real world - Part III

Published in Production

In the third of our exclusive ARRI AMIRA video diaries, Mark McCarthy and Sparky Film decide to really test its capabilities out and make a short film.

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