The new ALEXA XST is a technological tour-de-force that uses ARRI's classic sensor. How does it get 4K from this less-than-4K imager? And what are the advantages of this approach?

ARRI ALEXA Mini costs $36,000...and it's a steal

Published in Production

While it may disappoint many observors who had hopes of a truly affordable ARRI camera, the premium pricing of the ALEXA Mini may be justified by saving productions money down the line.

On the eve of the NAB show, ARRI has announced a collaboration with Transvideo for a 5" OLED field monitor that doubles as a camera controller.

Phil Rhodes on the Alexa 65

Published in Production

RedShark Technical Editor Phil Rhodes shares his thoughts on ARRI's announcement of its 65mm 6.5k Alexa 65, including why ARRI hasn't made a super35 4K camera, likely uses for the camera, and a quick run of the numbers.

The Rolling Shutter Effect Explained

Published in Technology & Computing

Rolling Shutter is a type of distortion that affects cameras across the price spectrum. The more you know about it, the better you can deal with it

Compact Flash goes super speed with CFast 2.0

Published in Technology & Computing

The mystery memory card format to be used by the Arri Amira is revealed it all its glory by Sandisk with their new range of super fast cards

A sensational new ARRI ALEXA has just been announced

Ned Soltz, our East Coast correspondent, has all the details on the new Sony pricing, and how it will stir up the Digital Cinematography marketplace

Could the Amira be the ultimate indie digital cinema camera?

F55: Where does it fit?

Published in Production

Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace

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