Could the Amira be the ultimate indie digital cinema camera?

Cooke /i3 is gaining widespread support among manufacturers and software makers that cater to high-end productions.

All through NAB, our David Shapton presented the 10:00am slot on Teradek's live NAB TV show, and you can rewatch the best bits here.

While much of the ARRI press conference focused on news that broke weeks ago, its presentation of the Sky Panel LED softlights carried the show (and there was a killer leave-behind to boot).

In a sea of 4K announcements, and sailing serenely against the tide of opinion that the days of sub-4K cinema cameras are gone, ARRI has produced glorious-looking showreel for its Alexa camera; a taster for the plethora of projects it's been chosen for

Arri Alexa, LOMO, and Trent Reznor

Published in Production

DP Linus Sandgren put vintage lenses on the Arri Alexa for Ice Age, the new video for Trent Reznor’s How to Destroy Angels.

RedShark Technical Editor Phil Rhodes profiles Monocle, a new utility from ClipToolz that converts raw color into a black-and-white result that approaches a 'true' monochromatic image.

 Here's another chance to read this great article by Phil Rhodes on why cameras need global shutters. Cheaper, cinematic cameras come with a cost - they tend to have Rolling Shutters, which means that rapid movement can be skewed. The ability to buy cameras with global shutters at all price points can't come soon enough, according to Phil Rhodes

RedShark Awards - The First Winners

Published in Business

This year at Amsterdam's IBC - the second biggest trade show for the video, film and broadcast industry after NAB -  we've launched our first RedShark awards. And here are the intitial winners.

ARRI's Pro accessories for the Canon C700

Published in Production

ARRI is now supporting the Canon C700 by producing accessories for it, further underscoring the fact that the company makes more than cameras.

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