Where's RED in the Oscars?

Published in Production


RED cameras are used in so many films. So why aren't they showing up in the Oscar nominations?

 A new, fairly expensive ENG-style camera that's only HD resolution? But it has the same sensor as the most sought-after camera in Hollywood (according to the Oscar nominations)!

Pre-NAB Rumor: Arri's 6K 65mm Camera

Published in Production

In the run up to NAB 2014, the rumor mill is working overtime. But the rumor of a new 6K camera from Arri could be the real deal.

ARRI ALEXA on the stage with Coldplay

Published in Production

Today's digital cinematography cameras come with a list of specifications that can excite and baffle in equal measures. There seems to be no end to the debate about resolution, dynamic range, noise and depth of field

Popular though the Arri Alexa is, some people have been deterred from recording the Raw output by the requirement for the camera to be tethered to an outboard recorder which sometimes cost as much to rent as the camera itself! RedShark contributor Freya reports

 Freya Black gives more details on how the ARRI Amira is going to ouput 4K

F55: Where does it fit?

Published in Production

Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace

New ARRI Amira - our in-depth first look

Published in Technology & Computing

Phil Rhodes takes an indepth first look at the new ARRI Amira

Ned Soltz, our East Coast correspondent, has all the details on the new Sony pricing, and how it will stir up the Digital Cinematography marketplace

The Sony A7S has an extraordinary dynamic range

Published in Production

Sony's A7S has a low noise floor which helps it to achieve Sony's claimed 15.3 stops (at least with still shots - and it's not far from that with video). But what does this look like?

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