ARRI Amira now captures in Prores 4444 XQ

Published in Production

ARRI has recently expanded the capabilities of both the Alexa Mini and Amira, enabling new shooting modes and other goodies.

Which is more important - the DOP or the Camera?

Published in Production

Why would someone specify a camera before they chose the cinematographer? David Read despairs...

New ARRI Amira - our in-depth first look

Published in Technology & Computing

Phil Rhodes takes an indepth first look at the new ARRI Amira

Red Shark Technical Editor, Phil Rhodes, reports from London's BVE 2015, both a precursor to the forthcoming NAB and a possible indicator of what we'll see there.

ARRI ALEXA Mini costs $36,000...and it's a steal

Published in Production

While it may disappoint many observors who had hopes of a truly affordable ARRI camera, the premium pricing of the ALEXA Mini may be justified by saving productions money down the line.

Could the Amira be the ultimate indie digital cinema camera?

Zeiss NAB Showcase Video

Published in Production

Not quite ready to put NAB 2013 in the books? Then here's a treat, courtesy of Zeiss: the company's NAB 2013 highlight reel, showcasing new compact zoom and anamorphic lenses!

RedShark Awards - The First Winners

Published in Business

This year at Amsterdam's IBC - the second biggest trade show for the video, film and broadcast industry after NAB -  we've launched our first RedShark awards. And here are the intitial winners.

A sensational new ARRI ALEXA has just been announced

RedShark Technical Editor Phil Rhodes profiles Monocle, a new utility from ClipToolz that converts raw color into a black-and-white result that approaches a 'true' monochromatic image.

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