What's the best shape for a camera? Phil Rhodes has some strong views

Opinion: Impressions of the new cameras from NAB

Published in Production

After days of walking the convention floor, Rakesh Malik reflects on the new cameras that were featured at NAB 2015.

 Freya Black gives more details on how the ARRI Amira is going to ouput 4K

ARRI unveils radical new ALEXA Mini

Published in Production

ARRI’s new cube-shaped camera is designed to be the most versatile Mini camera around and the spec, revealed as a prototype is about to debut at BVE, is certainly impressive.

Does Medium Format video make sense?

Published in Technology & Computing


With the release of what is probably the first affordable Medium Format digital still camera by Pentax, it makes us wonder whether Medium Format video is a thing that makes any sense

Arri Alexa, LOMO, and Trent Reznor

Published in Production

DP Linus Sandgren put vintage lenses on the Arri Alexa for Ice Age, the new video for Trent Reznor’s How to Destroy Angels.

AMIRA, the brand new documentary style camera by ARRI, made its worldwide debut at Dublin’s Digital Biscuit conference this week, and we're slowly learning more about this intriguing camera

A sensational new ARRI ALEXA has just been announced

Phil Rhodes on the Alexa 65

Published in Production

RedShark Technical Editor Phil Rhodes shares his thoughts on ARRI's announcement of its 65mm 6.5k Alexa 65, including why ARRI hasn't made a super35 4K camera, likely uses for the camera, and a quick run of the numbers.

Making sense of Sensors - part 2

Published in Technology & Computing

As we saw in my previous article on sensor technology, we can now build sensors with enormous numbers attached to them - if not trivially, at least reliably. Given that current 4K sensors are more than adequate to replace 35mm film in terms of sheer resolution, we need to be careful about turning this into a numbers game.

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