Cooke /i3 is gaining widespread support among manufacturers and software makers that cater to high-end productions.

How to work with high ISO

Published in Production

Barry Braverman took the ISO 5000 Panasonic Varicam 35 out for a night shoot in Paris, an experience which has left him with some very definite opinions on the difficulties of shooting at high ISO.

ARRI ALEXA on the stage with Coldplay

Published in Production

Today's digital cinematography cameras come with a list of specifications that can excite and baffle in equal measures. There seems to be no end to the debate about resolution, dynamic range, noise and depth of field

The Rolling Shutter Effect Explained

Published in Technology & Computing

Rolling Shutter is a type of distortion that affects cameras across the price spectrum. The more you know about it, the better you can deal with it

With all the modern technology available, why do we still not have the ideal documentary camera?

Our resident VFX expert, HaZ, made an on-set discovery that not only eased his workflow, but solidified, in his opinion, the ARRI Alexa as the go-to camera for VFX shoots.

Zeiss NAB Showcase Video

Published in Production

Not quite ready to put NAB 2013 in the books? Then here's a treat, courtesy of Zeiss: the company's NAB 2013 highlight reel, showcasing new compact zoom and anamorphic lenses!

Testing the ARRI AMIRA in the real world - Part II

Published in Production

In the second of our exclusive ARRI AMIRA video diaries, Mark McCarthy uses the camera in a field he knows inside out and is rather delighted with the results.

A few early shots from the ARRI Amira

Published in Production

The Amira is shipping, and we're starting to see shots from it

Making sense of sensors: Part 1 of 2

Published in Technology & Computing

Film always used to be the main thing that determined how a photograph looked. Now, it's the sensor. So camera manufacturers have taken on a huge extra responsibility!

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