Hidden under the surface, there are some very big changes happening with the big manufacturers

Making the business case for the Lytro Cinema Camera

Published in Business

In a packed NAB conference room, Lytro revealed the first film shot with its massive, 755 megapixel light field Cinema Camera. But, for all its size, the camera wasn't the only elephant in the room.

ARRI launches EOS accessories

Published in Production

Designed specifically for Canon’s latest Cinema EOS cameras, ARRI has launched several new camera plates aimed at different uses.

Arri launch new documentary style camera the Arri Amira

Published in Production
A new camera from Arri

While much of the ARRI press conference focused on news that broke weeks ago, its presentation of the Sky Panel LED softlights carried the show (and there was a killer leave-behind to boot).

Testing the ARRI AMIRA in the real world - Part III

Published in Production

In the third of our exclusive ARRI AMIRA video diaries, Mark McCarthy and Sparky Film decide to really test its capabilities out and make a short film.

Popular though the Arri Alexa is, some people have been deterred from recording the Raw output by the requirement for the camera to be tethered to an outboard recorder which sometimes cost as much to rent as the camera itself! RedShark contributor Freya reports

 A new, fairly expensive ENG-style camera that's only HD resolution? But it has the same sensor as the most sought-after camera in Hollywood (according to the Oscar nominations)!

The Sony A7S has an extraordinary dynamic range

Published in Production

Sony's A7S has a low noise floor which helps it to achieve Sony's claimed 15.3 stops (at least with still shots - and it's not far from that with video). But what does this look like?

RedShark Technical Editor Phil Rhodes profiles Monocle, a new utility from ClipToolz that converts raw color into a black-and-white result that approaches a 'true' monochromatic image.

Page 1 of 8

Twitter Feed