A clever little anamorphic adaptor opens up new possibilities for the ARRI Alexa

IBC 2012: Roger Deakins on the Arri Alexa

Published in Production

We're pretty sure Arri doesn't need any help from us to sell their popular Alexa cameras, but we found this clip from an Arri-staged event at IBC 2012 that features Roger Deakins, the award-winning Chief Cinematographer on Skyfall.

How to work with high ISO

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Barry Braverman took the ISO 5000 Panasonic Varicam 35 out for a night shoot in Paris, an experience which has left him with some very definite opinions on the difficulties of shooting at high ISO.

Phil Rhodes on the Alexa 65

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RedShark Technical Editor Phil Rhodes shares his thoughts on ARRI's announcement of its 65mm 6.5k Alexa 65, including why ARRI hasn't made a super35 4K camera, likely uses for the camera, and a quick run of the numbers.

F55: Where does it fit?

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Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace

The Ursa Mini 4K: how cameras can get out of the way

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Phil Rhodes takes another look at the Ursa Mini 4K and explores the greatest gift any camera can bestow on a production: letting people simply get on with the business of making films.

4K cameras: A rundown of what's available now

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In between IBC and NAB, most of the newly-announced 4K cameras are on sale. So before the expected avalanche of 4K announcements and previews at NAB, we thought we'd ask Phil Rhodes to run though what you can buy now

Varicam "Image Rivals Alexa"

Published in Production

" My opinion is that for high end work it's the best 4k solution in terms of color/tone/latitude." says, Thatcher Kelley, one of the cameramen on the VariCam demo shoot

At a launch event in Los Angeles, ARRI wowed its audience of cinematographers and Hollywood taste-makers with its full-screen presentation of footage from the Alexa 65 and, better yet, hands-on time with the camera.

Ned Soltz, our East Coast correspondent, has all the details on the new Sony pricing, and how it will stir up the Digital Cinematography marketplace

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