F55: Where does it fit?

Published in Production

Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace

Making sense of sensors: Part 1 of 2

Published in Technology & Computing

Film always used to be the main thing that determined how a photograph looked. Now, it's the sensor. So camera manufacturers have taken on a huge extra responsibility!

A clever little anamorphic adaptor opens up new possibilities for the ARRI Alexa

Major new software upgrade for ARRI ALEXA

Published in Production

One of the best things about modern cameras is that they just keep getting better - even after you've bought them, they just keep getting better

RedShark Technical Editor Phil Rhodes profiles Monocle, a new utility from ClipToolz that converts raw color into a black-and-white result that approaches a 'true' monochromatic image.

 Here's another chance to read this great article by Phil Rhodes on why cameras need global shutters. Cheaper, cinematic cameras come with a cost - they tend to have Rolling Shutters, which means that rapid movement can be skewed. The ability to buy cameras with global shutters at all price points can't come soon enough, according to Phil Rhodes

Increased resolution means hitting focus is more critical than ever. But have advancements in resolution outstripped our ability to determine when an image is in sharp focus?

Phil Rhodes on the Alexa 65

Published in Production

RedShark Technical Editor Phil Rhodes shares his thoughts on ARRI's announcement of its 65mm 6.5k Alexa 65, including why ARRI hasn't made a super35 4K camera, likely uses for the camera, and a quick run of the numbers.

NAB is about more than just cameras

Published in Technology & Computing

RedShark News contributor Rakesh Malik reminds us that there's more to NAB than cameras, highlighting some technology demos that caught his eye.

How to work with high ISO

Published in Production

Barry Braverman took the ISO 5000 Panasonic Varicam 35 out for a night shoot in Paris, an experience which has left him with some very definite opinions on the difficulties of shooting at high ISO.

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