Arri Alexa, LOMO, and Trent Reznor

Published in Production

DP Linus Sandgren put vintage lenses on the Arri Alexa for Ice Age, the new video for Trent Reznor’s How to Destroy Angels.

It's real! ARRI Alexa 65mm 6.5K camera!

Published in Production

In a stunning reveal, ARRI introduces the Alexa 65, a 6.5K 65mm large format video camera, making good on a rumor that surfaced way back before NAB 2014.

Popular though the Arri Alexa is, some people have been deterred from recording the Raw output by the requirement for the camera to be tethered to an outboard recorder which sometimes cost as much to rent as the camera itself! RedShark contributor Freya reports

Increased resolution means hitting focus is more critical than ever. But have advancements in resolution outstripped our ability to determine when an image is in sharp focus?

 Here's another chance to read this great article by Phil Rhodes on why cameras need global shutters. Cheaper, cinematic cameras come with a cost - they tend to have Rolling Shutters, which means that rapid movement can be skewed. The ability to buy cameras with global shutters at all price points can't come soon enough, according to Phil Rhodes

Varicam "Image Rivals Alexa"

Published in Production

" My opinion is that for high end work it's the best 4k solution in terms of color/tone/latitude." says, Thatcher Kelley, one of the cameramen on the VariCam demo shoot

RedShark replay: Could cameras like the AJA CION usher in a return to capturing great images in-camera? Simon Wyndham investigates.

A clever little anamorphic adaptor opens up new possibilities for the ARRI Alexa

Making sense of sensors: Part 1 of 2

Published in Technology & Computing

Film always used to be the main thing that determined how a photograph looked. Now, it's the sensor. So camera manufacturers have taken on a huge extra responsibility!

ARRI ALEXA on the stage with Coldplay

Published in Production

Today's digital cinematography cameras come with a list of specifications that can excite and baffle in equal measures. There seems to be no end to the debate about resolution, dynamic range, noise and depth of field

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