RedShark Replay: How do you make the right choice from the plethora of good cameras available today? Especially if you want to make a film on your own.
Roland Denning argues that we should place camera choice in its proper context: as a means to serve our craft and not the other way around.
Popular though the Arri Alexa is, some people have been deterred from recording the Raw output by the requirement for the camera to be tethered to an outboard recorder which sometimes cost as much to rent as the camera itself! RedShark contributor Freya reports
Phil Rhodes takes another look at the Ursa Mini 4K and explores the greatest gift any camera can bestow on a production: letting people simply get on with the business of making films.
We're pretty sure Arri doesn't need any help from us to sell their popular Alexa cameras, but we found this clip from an Arri-staged event at IBC 2012 that features Roger Deakins, the award-winning Chief Cinematographer on Skyfall.
RedShark Technical Editor Phil Rhodes profiles Monocle, a new utility from ClipToolz that converts raw color into a black-and-white result that approaches a 'true' monochromatic image.
In a statement released today (and reproduced below in full) ARRI has announced that its Amira camera will can be upgraded to record UHD (not 4K) internally, as UHDProRes
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