This is the first of three articles on concsecutive days that explores the reasons for using 24 fps. As our ability to capture and display much higher framerate that this has blossomed, so has the debate about which number of frames we should show per second. On the face of it, higher framerates should look more real - but in practise, instead of the expected reality, we see cheap-looking TV. 48 fps makes everything look like a soap opera, apparently.
Counter intuitive. Puzzling. What's going on here? Phil Rhodes explores.
Our series of articles on Framerates was extremely popular and some of you have written to us with your opinions on the subject. Here's what RedShark reader Scott Hooson thinks. While his views may have some of you reaching for your tin-foil hats, Scott's background in experimental pyschology and forensics suggests that we should at least hear what he has to say.
Last time, we looked at why we ended up with 24 frames per second for narrative filmmaking. Having recovered from the shock of realising that it wasn’t actually chosen for any reason to do with the picture at all, it’s worth looking at the fallout of that historical decision and how it affects us today.
If you've read the previous two parts of this analysis of frame rates, you'll be aware that what we're all doing is chasing a standard that wasn't picked for how it looked, on the basis of how that standard compares with something else that also wasn't picked for how it looks. Regardless of how much sense this makes, it does lead to a few regional variances in the way this stuff works, principally involving the interaction of 24fps film with local television standards.
- Friday 17 Feb 2017 - (17083) Panasonic GH5 Review: the first full hands-on report
- Sunday 19 Feb 2017 - (12131) The dramatic ways that technology has changed editing
- Tuesday 7 Feb 2017 - (7115) Sony launches documentary film contest [sponsored]
- Tuesday 14 Feb 2017 - (5828) DJI Osmo Mobile: good run and gun on a budget?
- Friday 17 Feb 2017 - (5346) Transform Your Video With Light Leak Overlays (+ Freebie Inside) [sponsored]
- Tuesday 21 Feb 2017 - (375) Phantom Flex4K adds global shutter to high speed options
- Tuesday 21 Feb 2017 - (892) Planet Earth II to showcase what UHD Blu-ray can really do
- Tuesday 21 Feb 2017 - (1589) Sony’s new FE lenses: a first hands-on
- Tuesday 21 Feb 2017 - (1272) The Accusys Thunderbolt T3 is fast shared storage for your Thunderbolt devices [sponsored]
- Monday 20 Feb 2017 - (1082) RedShark Live: How to shoot for HDR