Production

It seems that New York is having a bit of a day of unveiling surprises, with a new, advanced model of Sony’s popular FS7 camcorder, the FS7 II, breaking cover at NAB New York this morning.
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RedShark Review: Phil Rhodes takes a close look at the Aputure VS-5, a 'DSLR monitor' with SDI input that's a surprising budget option for HD productions.
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YouTube’s status as a barometer for new video formats is well-established, and now it has given its seal of approval to HDR.
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Sony is offering not one, but two free webinars this Thursday, 10 November, showing you how to add extra polish to your productions with sensational images and audio quality.
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NASA’s UHD channel has bought us some great eye-candy in the past, but this fisheye fly through of the ISS is one of the most fascinating yet
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Redshark Replay: Here's another chance to read part 2 of this beautifully detailed article on selecting a vintage lens for your large-sensor camera
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How many photons make 5? Phil Rhodes on the fairly complex mathematical relationship of absolute light levels in lux to photographic exposure setups.
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Phil Rhodes on survivorship bias, becoming a director, and the sort of muddled thinking that leads people to see correlations where none exist. After all, if it worked for the Church of the Flying Spaghetti Monster…
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How a UK-based systems integration company WTS used its unique capabilities to build a new generation of OB truck that made the operators’ skills transferrable.
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As the quality of LED lighting improves, such high efficiency production lighting may be even more useful with more power.
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Forty years ago, Garret Brown came up with an unwieldy looking invention that promised to provide silky smooth shots without the use of dollies. Still at the top of its game and blurring the lines between art and science four decades later, the Steadicam — and the Steadicam operator — was born.
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