Production

Products that featured high dynamic range capabilities, and the companies that made them, could be found throughout this year's NAB Show, but there's still more work to be done before HDR is a working reality for many productions.
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The Z-Camera E-1 was a head turner in miniature form at NAB and a successful Kickstarter project from 2015 that has made its way on to the showfloor with impressive speed.
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With a dearth of new camera announcements at this NAB, some pundits have been underwhelmed with the show. But, dig a little deeper and you'll likely find news and products that are meaningful to film professionals.
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Replay: Following all the interest in our NAB story about the TERRA 6K, our first ever profile of China's Kinefinity from November last year.  By Miguel Melo Queiroz.
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In a companion piece on the use of reverse angle, here's quite the opposite: an article extolling single-shot films.
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NAB has come and gone in a flash, but before we left, we handed out the RedShark Awards
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Emmy-Award winning Litepanels founder Kevin Baxter is back with a new range of products that take LED to the next level.
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In common with many companies at NAB 2016, ARRI didn’t have any single headline grabbing announcement, but upgrades to the ALEXA SXT and AMIRA, alongside two new lenses, were all worthy of serious attention.
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While at the extreme high-end of things the Lytro Cinema System has been pointing to the death of greenscreen, in the world the rest of us will have to work in for a few years yet Ross Video’s new chroma key system looks very interesting.
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We first wrote about Canon’s latest zoom when it was released last week. Phil Rhodes digs for more on the NAB showfloor and reckons it's a rather significant  release.
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It’s probably fair to say that the Academy Color Encoding System has yet to set the industry on fire, but a move towards encompassing workflow could change that.
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