RedShark News

Production

Find your screwdrivers and start your downloading - Digital Bolex release new firmware updates for the D16
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 Want to capture two objects over 1 billion kilometres apart in the same frame? Magic Lantern is the key.
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Here's a showreel that we're bringing to not because it's full of CGI or motion capture, and not because it's been filmed at a trillion frames per second on a specialist camera costing $300,000. It's just the result of the everyday work of the cameraman, using relatively modest  kit
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Ray Tracing, which sits at the luxury end of the CGI spectrum, is hard to do in real time - but it's getting closer
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A new VFX industry initiative aims to plug a vital information gap even cinematographers were unaware of
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Opnions, although mostly favourable, are pretty mixed about Blackmagic's new 4K camera. So we've commissioned two completely independent reviews of this important new product. Here's the second, from experienced cinematographer Phil Rhodes
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 The 4K Production Camera is a camera that has been on the radar of many a camera owners mind since it was announced last year. Amongst the promises were 4K resolution, naturally, and a global shutter. All for the price of a couple of decent DSLR lenses.
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Apples to oranges? More like oranges to tangerines. A filmmaker made a comparison video between Blackmagic's high-end and low-end cameras. Check it out!
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The BBC College of journalism has a series of videos about reporting and news shooting. This one shows just how tough it can get
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We've just recieved high resolution photos of Canon's new RC-V100 for their professional video cameras
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This new device from Atomos is what DSLR users have been waiting for - and its half the price we expected!
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