RedShark News

Production

Billed as a comprehensively upgraded package, the Canon EOS C100 Mark II adds some interesting features over and above its predecessor, most notably ramped up image quality and built in Wi-Fi.
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Canon's new ultra-zoom lens has PL and EF mounts and a focal length up to 1,500mm with a range extender
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This amusing aerial self portrait makes us gasp at the ways we can now make breathtaking videos with minimal expense
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The legendary Panasonic VariCam returns - and it's ready to take on everyone!
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A little over a year ago Blackmagic Design released the Pocket Cinema Camera, a device that promised 13 stops of range while recording to either Prores or Cinema DNG raw in a tiny package small enough to fit in your pocket. Can it be used for extreme sports? Clearly you can't hammer it like a GoPro but Red Shark’s Simon…
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Here's some new footage showing off the abilities of the new Canon EOS 7D MK II
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Yannick Barthe, aviation cinematographer, delivers once again with his captivating 'Best of' slow motion showreel.
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Following in the wake of a recent update that unlocked in-camera formatting for the 4K Production Camera, Blackmagic has just released another update that gives that formatting functionality to its 2.5K and HD Pocket Cameras.
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Shooter and predator (producer/editor) Simon Wyndham provides us with his primer on camera stabilisation.
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Digital Bolex, creators of the D16 digital cinema camera, put their $400 Bolex/Kish lenses up against some heavy-weight contenders that cost thousands more.
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Red Shark Technical Editor, Phil Rhodes, gets to grips with Sony’s latest ENG-targeted PXW-X180 and finds a camera that will probably be purchased by the truckload with a surpringly good lens for its class.
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