RedShark News

The art of Colour Rendering

Published in Post & VFX

Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue

Phil Rhodes doesn't mince his words in wondering why not!

You will hear a lot about codecs when it comes to 4k in the next few months, but the most important one of them all finally reaches an important milestone in January when HEVC hits the Final Draft International Standard stage. Ratification and commercial products supporting it will not be far behind

Samsung's NX1: The first 4K camera to record in H.265

Published in Business

Samsung uses the occasion of Photokina 2014 to launch a camera that's sure to entice not only photographerss, but may lure video shooters as well, featuring 4K recording to H.265, a world's first.

Could VP9 be the codec for 4K Blu-Ray?

Published in Studio & Broadcast

 Even though many pundits think 4K will be delivered by streaming, there are plenty of households still with slower broadband for whom this will not be an option. Now, it seems, Google's free VP9 codec might be a candidate for a new "Blu-Ray" format

Massive codec upgrade for Sony's PMW-300 and PMW-400

Published in Production

A surprise upgrade for Sony's shoulder-mount ENG cameras means they can record HD with the same quality as visually lossless ProRes

The art of Motion Tracking

Published in Post & VFX

For most of the history of film, if you wanted to insert something into the picture that didn't exist,  the camera had to be stationary. Motion tracking allows artificial objects to be inserted convincingly into real footage. Phil Rhodes explains

Sony explains its new 4K codec: XAVC

Published in Technology & Computing

Do we need yet another H.264 - based codec? Sony thinks that we do, and explains why

VP9 codec rides to the aid of 4K

Published in Studio & Broadcast

Google seems to be saying "Forget H.265 - our VP9 codec is here, now, and is better"

H 265 is the new H 264

Published in Studio & Broadcast

The (draft) specification for H.265 is out. What is it, and what does it mean for the video industry? We get an expert's view.

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