RedShark News

The art of Motion Tracking

Published in Post & VFX

For most of the history of film, if you wanted to insert something into the picture that didn't exist,  the camera had to be stationary. Motion tracking allows artificial objects to be inserted convincingly into real footage. Phil Rhodes explains

Could VP9 be the codec for 4K Blu-Ray?

Published in Studio & Broadcast

 Even though many pundits think 4K will be delivered by streaming, there are plenty of households still with slower broadband for whom this will not be an option. Now, it seems, Google's free VP9 codec might be a candidate for a new "Blu-Ray" format

HEVC/H.265: Everything you need to know

Published in Technology & Computing

In a major new article, Phil Rhodes explores the background to HEVC/H.265, and explains what makes it so good at compressing video. Read this if you want to know how almost all video - including 4K - will be delivered in the near future

New Quicktime codecs for Mac released

Published in Technology & Computing

Apple have updated their Quicktime codecs for Pro applications to version 1.0.2, adding support for more file formats

Phil Rhodes doesn't mince his words in wondering why not!

There are so many great articles in RedShark's archive - we're publishing this again in case you missed it first time!

Massive codec upgrade for Sony's PMW-300 and PMW-400

Published in Production

A surprise upgrade for Sony's shoulder-mount ENG cameras means they can record HD with the same quality as visually lossless ProRes

Avid launches DNxHR resolution independent codec

Published in Post & VFX

 Avid products will now finally support 4K natively so that you can edit 4K in real time instead of using a proxy, but there have been a few surprises with this announcement at IBC

The art of Colour Rendering

Published in Post & VFX

Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue

VP9 codec rides to the aid of 4K

Published in Studio & Broadcast

Google seems to be saying "Forget H.265 - our VP9 codec is here, now, and is better"

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