Tomorrow morning, at 8:00am in London, 4:00 in New York, 1:00 AM in Los Angeles, we'll bring you the news of Sony's new product or products. 

Ever since the new EOS-1D C was announced way back in April 2012, enthusiasts were abuzz over Canon’s first attempt to cross the 4K threshold in a DSLR form factor

We're replaying some of the best articles from 2012 in case you missed them the first time round. Today: What does "broadcast quality" mean these days by Phil Rhodes

Electronics is so completely integrated now that building new equipment is just a matter of glueing together a few parts you can buy from the Internet. Is this true? And is this the biggest threat to traditional camera manufacturers? In this article, we investigate this, and the background to it, in detail

There's a lot of information to take in here with these new Sony cameras and all the stuff that goes with them. We've just been to the European launch and things are a little clearer.

Open Source software. Somehow, it makes sense: talented developers contribute to projects in their spare time and the result is often stunningly good software. So what about Open Source hardware? That's different, and it's far more difficult

The new Panasonic Lumix GH3 builds on its predecessor's video-friendly credentials, offering better compression and an all-round improved package. RedShark regular contributor Mark McCarthy of Sparky Media Productions bought one, and put it through its paces

Sony caught the entire industry on the hop with their low list pricing for the recently-announced F5 and F55 4K-capable cameras, but now we're seeing the first street prices, and they are, of course, even lower!

In part 2 of this fantasticly detailed article, Ulrich Plank advises what to look for, and what to look out for!

So, we've seen the announcement from Sony of two new 4K cameras, new codecs, new recording media and a new 30" 4K LCD monitor. Just how significant is this, and is this the 4K Tipping Point, at least for production, if not all the way to the home?