RedShark News

Buyer Beware!

Published in Business

I recently encountered a thread on one of my favourite forums in which someone was asking for opinions on a Canon EOS-60D package he'd seen on ebay. This package included the 60D body and extras including three lenses including a battery, charger, flash cards, various filters and diopters, cleaning kit, tripod, and more. All of this was neatly photographed and posted for sale on Ebay by a vendor we'll call, in order to protect the guilty, Pretty Cheap Digital, based in New York

 

IKONOSKOP is back and with new investors - and a credible plan to move forward - the future is looking infinitely brighter than just a few months ago

Practical 3D Filmmaking

Published in Production

Karl Schodt is an experienced 3D filmmaker. He believes that 3D's time is still to come; but come it will, and it will be soon

Intel just held a competition to find new types of wearable technology and the winner is the ultimate in selfie-taking technology, a wearable quadcopter!

Vintage lenses for large-sensor cameras - Part 1

Published in Production

Here's another chance to read this meticulously detailed feature, where Uli Plank shows us how to look for lenses up to 50 years old, and use them with our modern, large-sensor cameras.

Scientists at Nanyang Technological University in Singapore have developed a new sensor technology based on Graphene, which is 1000 times more light sensitive than existing CMOS or CCD sensors

I may be the editor of RedShark but until today I haven't actually had a chance to get my hands on a Blackmagic Cinema Camera other than at trade shows.  Well, we do have one now and I was in London helping Phil Rhodes shoot some scenes for an upcoming article - so I just thought that, even though I'm  probably the last person on earth to see the camera properly, I'd write some first impressions

Phil Rhodes, our Technical Editor, may incur the wrath of audiophiles and engineers with thie idea that "the audio equipment world has it fairly easy," but he draws intriguing parallels between audio and camera equipment development, which may be instructive for manufacturers.

With the recent news that the new ARRI ALEXA SXT uses the same sensor as its prececessor, we ask whether innovation in cameras is slowing down

So, we've seen the announcement from Sony of two new 4K cameras, new codecs, new recording media and a new 30" 4K LCD monitor. Just how significant is this, and is this the 4K Tipping Point, at least for production, if not all the way to the home?

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