RedShark News

Taxing Times for VFX

Published in Business

Tax breaks continue to hugely affect the geographical setup of the film and visual effects industries, but are subsidies really such a good thing and can they really be sustainable in the long term?

Star Wars: waiting for the breakdown truck

Published in Post & VFX

A nifty piece of CGI is behind this quick comedy clip that imagines a Star Wars incident on a busy motorway

Oscar-nominated VFX: Building Interstellar's black hole

Published in Post & VFX

In the run-up to the 2015 Oscar's, we're highlighting nominees in the Visual Effects category. First up: Interstellar and a behind-the-scenes featurette that explains how the production brought its black hole into being.

How do you make a comic book superhero film set in New York? The answer is that you don't make it in New York. Instead, you shoot it in a green-screen studio in New Mexico

World War Z VFX Breakdown

Published in Post & VFX

This past summer's blockbuster zombie epic, World War Z, astounded audiences with terror at the largest of scales. Visual effects house MPC was with realizing much of the film's mind-boggling mayhem...and this VFX breakdown.

In Part 3 of this 3 part series, HaZ, our VFX correspendent, talks about Networking; not about IP addresses and routers, but getting to know the people you need to know

Here are some fascinating things that we learned from our sessions at London's Broadcast Video Expo

The Great Gatsby: Stunning VFX/CGI breakdown

Published in Post & VFX

You really can't believe what you see these days. And that's even more true for historically-set dramas where to recreate authentic 360 degree retro environments would be so expensive as to severly limit the scope of the productions

Understanding Lightworks VFX

Published in Post & VFX

Gary Hango, an expert in video effects and processing, is also an enthusiastic Lightworks user. In this series, he introduces the basic concepts of VFX, and leads you towards writing your own effects for Lightworks

 

 

Our resident VFX expert, HaZ, made an on-set discovery that not only eased his workflow, but solidified, in his opinion, the ARRI Alexa as the go-to camera for VFX shoots.

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