RedShark News

VFX goes international

Published in Post & VFX

HaZ looks at the trend for post production and VFX to be moved overseas and asks the question: what does this mean to new and existing visual effects artists?

Understanding Lightworks VFX

Published in Post & VFX

Gary Hango, an expert in video effects and processing, is also an enthusiastic Lightworks user. In this series, he introduces the basic concepts of VFX, and leads you towards writing your own effects for Lightworks

 

 

VFX 101 according to Method Studios

Published in Post & VFX

Wherein the team at Method Studios attempt to explain what they do for a living… with the help of a whiteboard and a marker pen. Warning: there may be satire ahead. By Chris Elwyn.

Gravity VFX/Stereoscopic Conversion Breakdown

Published in Articles

The critically-acclaimed Gravity thrilled audiences with its mesmerizing portrayal of astronauts struggling with an outer space worst case scenario. Prime Focus World, a leading VFX and post services company, made this breakdown to demonstrate how they created a parallel stereoscopic conversion and VFX workflow for the film.

The Indie Movie Director and the $500m Blockbuster

Published in Post & VFX

For those wielding a semi-pro video camera and dreaming that one day they just might make it as the next Spielberg, look no further than Gareth Edwards and his recent monster hit, Godzilla.

Here are some fascinating things that we learned from our sessions at London's Broadcast Video Expo

The URSA Mini’s best kept secret?

Published in Production

There has been a lot of focus and attention on the new Blackmagic URSA Mini and its abilities, such as a 15 stop dynamic range, well thought out ergonomics and lighter weight than the full size URSA. However one of its hidden talents may also be one of the most ground breaking, especially given the company's acquisition of the Fusion VFX software.

The Future of Visual Effects Education

Published in Business

 

Haz reflects on his experience of education institutions which teach VFX courses and explains why some people interested in a career in the VFX industry may be better off not attending University

The art of Motion Tracking

Published in Post & VFX

For most of the history of film, if you wanted to insert something into the picture that didn't exist,  the camera had to be stationary. Motion tracking allows artificial objects to be inserted convincingly into real footage. Phil Rhodes explains

A closer look at BorisFX Continuum Complete 9

Published in Post & VFX

BorisFX Continuum Complete 9 (BCC 9) was first released for Avid Media Composer, Sony Vegas Pro and Adobe After Effects / Premiere Pro. Further versions for other host applications such as Apple Final Cut Pro X / Motion 5 and the OpenFX architecture of Blackmagic DaVinci Resolve have arrived which makes it a good time for Mark Zdunnek to assess the package and its capabilities.

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