Many users or potential buyers of Sony’s PMW-F3 Super35 sensor camera have expressed some confusion over the implementation of S-Log gamma in the recently-released version 1.4 firmware of the camera. A niche subject but a very popular camcorder. Ned Soltz investigates.
A trio of videos by Sony A7s users confirm the best exposure compensation for shooting in S-Log2 and tips for quickly grading the footage in Da Vinci Resolve.
Sony's setting the pace for 4K, from the Lens to the Living Room, to use one of their favourite marketing phrases. And to show their commitment to the format, they've annouced that the're remastering some of their Blu Ray titles from 4K masters. It's good because it's a source of higher quality content for 4K display owners. But RedShark contributor Freya thinks it will also confuse customers. Here's her thoughts on the subject
In many ways IBC2013 was a quiet show. Yes it boasted record visitor numbers, but few things happened out in Amsterdam that hadn’t been predicted beforehand: namely HEVC-powered 4K is on the horizon, the second screen is increasingly important to broadcasters’ plans, and higher frame-rate imaging is moving closer and closer to mainstream acceptance. Andy Stout looks back on five days in Amsterdam
It is safe to say that the POV action camera market is pretty much owned by GoPro at the present time. Sony have now clearly decided that it was about time that the ante was upped and as a result they have now announced an upgrade to their HDR-AS100 in the form of the HDR-AS100V. Simon Wyndham explores
Action, extreme sports and low-light video shooters have reason to rejoice, as Sony releases a full-frame camera with optical 5-axis image stablisation