Following over a year of tests that started at last summer’s Confederations Cup, three matches from the FIFA World Cup in Brazil — including the Final - are to be captured in 4K 60p, with Sony and host broadcaster HBS working together to produce a 4K feed. Here’s how they’ll do it.
I recently had several hours to play with a pre-release Sony PMW-F55 camera. Sony also supplied me with 2 64gb SxsPro+ cards, the AXS-5 4K recorder, one AXSM 4K media storage, the new LCD viewfinder, the new Olivine battery, and last but hardly least, a new Sony 85mm prime lens
You may think we're hammering it a bit with the Sony F65, what with our piece on Belle, and with our forthcoming article on what differentiates the F65 from the F55, but let's be clear about this: we are actually at the point where you can make better films with video than you ever could with celluloid - and that's worth a significant amount of coverage
Sony says that its new Media Lifecycle Service wraps its expertise in digitisation, storage and archiving, digital content distribution and asset monetisation all into a single business.
Sony’s latest entry into the switching market was first shown at NAB 2013 – the Anycast Touch. With availability scheduled for later this year we had the opportunity of putting a pre-production unit through its paces. Mark Johnson reports
As we saw in my previous article on sensor technology, we can now build sensors with enormous numbers attached to them - if not trivially, at least reliably. Given that current 4K sensors are more than adequate to replace 35mm film in terms of sheer resolution, we need to be careful about turning this into a numbers game.