RedShark News

Chaplin, Astaire and... Gumdrop!

Published in Production

In Gumdrop, a young actress charms her way through a screen-test. The twist? She’s a CGI robot vacuum cleaner

It's well-documented that the VFX industry is in a state of flux. Meanwhile, there's a new generation of CGI artists.  Here's a piece made by students from the Platige Academy. It's their impressive short 'How to Train Your Robot'.

This might be the best product demonstration ever

Published in Business

Here's a great way to demonstrate software: build it into the plot of a short film

Abstract fantasy based around the Voyager spacecraft

Published in Production

When viewing shorts, it’s easy to be lured by Hollywood-style plotting, explosions and photorealistic animation. ‘Voyager’ reminds us the abstract can be just as compelling...

Plurality - Feature film plausibility on a shoestring

Published in Business

The blockbuster science-fiction movie look is now available to anyone with a good story, creative vision and persistance.

Hypnotic Short: Delirium Lionfish

Published in Post & VFX

Quique Rivera Rivera delivers a hallucinatory video allegory in ‘El delirio del prez león’. It’s sans-dialogue, so non-Spanish speakers can enjoy the trip, too.

True Skin: Sci-Fi short hits the big time

Published in Production

In what is becoming an industry trend, Music video FX impresario Stephan Zlotescu and N1ON score a feature deal from their CGI-fueled video. At RedShark, we’re suckers for a great Sci-Fi short.

The Eagleman Stag: Dark Horse for Oscar?

Published in Production

There is no shortage of heavyweights vying for Oscar in the Animated Short Film category. But one well-decorated stop-motion flick may pull off the upset

How to fund a short/independent film - Part 1 of 3

Published in Business

Every film-maker starting out wants to make the best short film, and get the best people and equipment to make it happen - but often with little or no budget at all, all in the hope that the idea is strong enough to get investors and potential co-workers to commit.

We were a little bit underwhelmed when we saw the first footage from the F55, not because there's anything wrong with the camera - far from it;  but because it was shot incredibly flat, and we kind of expected something a bit more eye-catching than that. The whole experience set us off on what was essentially a rant about how you shouldn't use YouTube or Vimeo to judge the quality of a camera

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