RedShark News

The art of Colour Rendering

Published in Post & VFX

Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue

Most large-sensor cameras use a Bayer colour filter pattern to allow full colour images to be output - after "debayering". This entire process is now pretty routine but unfortunately what is also routine is the amount of light lost through the colour filter process. Less light means more noise, and noise is what ultimately limits the low-light capabilities all cameras

Vintage lenses for large-sensor cameras - Part 2

Published in Production

In part 2 of this fantasticly detailed article, Ulrich Plank advises what to look for, and what to look out for!

Replay - The best of 2012: 8 bit or 10 bit?

Published in Technology & Computing

In case you missed first time around, here's one of the best articles from 2012, by Phil Rhodes: 8 bit or 10 bit? The truth may surprise you!

This camera breaks the laws of physics

Published in Technology & Computing

Hot on the heels of Nokia's 808 PureView, a smartphone with an over-endowed 41 MegaPixel sensor that allows smooth, lossless digital zooming, comes the Sony NEX-EA50EH. It's definitely not a phone, but does share one fascinating feature in common

Red Dragon Sensor: "More resolution than 65mm film..."

Published in Production

RedShark contributor Phil Rhodes pointed out something to me the other day that sounds obvious when you hear it: that camera makers never used to make film, and yet - if you can remember that far back - it is the film that determines the quality and feel of the photograph (and the lens, of course), not the camera

This sensor sees everything

Published in Technology & Computing

Imagine Google Earth or Google Maps represented not as a still image, but as a full-motion video, showing the positions of cars, people and even birds in real time

RED EPIC Monochrome: First impressions

Published in Production

We've been given a RED EPIC M Monochrome to use for a couple of weeks, lent to us by RED’s European headquarters in Pinewood Studios, West London. Why does this very high resolution black and white video camera even exist?

A Kickstarter-funded digital 16mm camera is one of 2012's most intriguing stories.  RedShark's reporter Peter Haas talks to Joe Rubinstein, co-founder of Digital Bolex

Digital Bolex D16 shipping in a few weeks

Published in Production

A recent blog post from the folks behind the Digital Bolex eludes to an on-schedule release of its long-awaited camera.

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