RedShark News

Replay - The best of 2012: 8 bit or 10 bit?

Published in Technology & Computing

In case you missed first time around, here's one of the best articles from 2012, by Phil Rhodes: 8 bit or 10 bit? The truth may surprise you!

Blackmagic Cinema Camera: Latest news

Published in Business

There's so much interest in Blackmagic's Cinema camera that we're bringing you updates as soon as we get them

This camera breaks the laws of physics

Published in Technology & Computing

Hot on the heels of Nokia's 808 PureView, a smartphone with an over-endowed 41 MegaPixel sensor that allows smooth, lossless digital zooming, comes the Sony NEX-EA50EH. It's definitely not a phone, but does share one fascinating feature in common

Recently I've been expressing the view that all cameras are pretty much the same, because they all use the similar technology (give or take) for their sensors. I don't mean to be unnecessarily cruel about the work of camera manufacturers – taking an electronic component such as an imaging sensor and making it into a usable tool is far from trivial. Still, the absolute performance of cameras is determined by what you can get off the lump of silicon behind the lens

A Kickstarter-funded digital 16mm camera is one of 2012's most intriguing stories.  RedShark's reporter Peter Haas talks to Joe Rubinstein, co-founder of Digital Bolex

This sensor sees everything

Published in Technology & Computing

Imagine Google Earth or Google Maps represented not as a still image, but as a full-motion video, showing the positions of cars, people and even birds in real time

Most large-sensor cameras use a Bayer colour filter pattern to allow full colour images to be output - after "debayering". This entire process is now pretty routine but unfortunately what is also routine is the amount of light lost through the colour filter process. Less light means more noise, and noise is what ultimately limits the low-light capabilities all cameras

Vintage lenses for large-sensor cameras - Part 2

Published in Production

In part 2 of this fantasticly detailed article, Ulrich Plank advises what to look for, and what to look out for!

Blackmagic: How to handle difficult PR

Published in Business

If you're one of the people who's preordered a Blackmagic Cinema Camera, unless you're very lucky, you will probably have noticed that you don't actually have one yet. RedShark, in common with the rest of the world’s media, is eagerly awaiting the arrival of a camera to put through its paces.

The art of Colour Rendering

Published in Post & VFX

Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue

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