DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

AJA has announced that they're shipping this extremely capable 4K recorder and it is, perhaps, a good time to recap its functionality. There are a number of angles to this complex product

We've just heard from PhotoKina that the Sony A99, with it's 24 megapixel full-frame sensor, outputs a clean HDMI signal that works with external field recorders. This is looking like an established trend now.

In case you missed first time around, here's one of the best articles from 2012, by Phil Rhodes: 8 bit or 10 bit? The truth may surprise you!

Fifteen years ago, audio over the Internet was broadcast - and stored - as RealAudio. For those of us listening in over dial-up or downloading one-minute clips, it was an unexceptional entry into the world of new media. Kieron Seth  wonders what will happen to our soon-to-be outdated media files.

Somewhat surprisingly, Sound Devices has added the ability to record 12-bit, 4:4:4 content to Apple ProRes 4444 format at 330 Mbit/s, giving a "perceptually lossless" quality to stored material

Phil Rhodes looks at the Atomos Ninja 2 Field Recorder in this second part of his Nikon D800 + Ninja 2 review.

Blackmagic Design yesterday released an update for its $345 Hyperdeck Shuttle 2 recording device enabling recording of Apple ProRes HQ files.

Convergent Design, who gave us one of the biggest product surprises at NAB 2013 with their Odyssey monitor/recorders, has released pricing information about their modular system, including daily rental options for additional and camera-specific codecs

Modern cameras are simply amazing. The idea that you can record cinema-quality video on a still-picture camera that costs only a few thousand dollars still seems unreal at times.