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If you use a professional digital camera, you can't go far without understanding the relationship between sensors, lenses and depth of field. It's slightly more complicated than you might have thought!. Phil Rhodes makes it understandable

The Opposite of Precision

Published in Technology & Computing

Who needs lens adaptors?

One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses.

Tokina NEW 11-16mm CINE lens: Is it worth it?

Published in Production

Lens manufacturer Tokina is set to release a CINE version of its popular 11-16mm lens for APS-C and other crop sensor cams. But do the changes justify such an inflated price?

Sigma surprised a few people when they announced their new 18-35mm zoom lens with a constant f/1.8  aperture back in April. Now they've surprised a few more by announcing the price - $799

A GoPro anamorphic lens adaptor for $199!

Published in Production

Now you can have cinematic widescreen with the GoPro Hero - ready to go with your new 21:9 television!

Last time, we discussed some of the technical concerns of lens selection and the issues of compatibility with sensors of various configurations and sizes. In this part, we'll look at the effects sensor size has on photography and the engineering compromises behind lenses and sensors

It’s fast but it’s also a zoom lens! For a long time now, zoom lenses have been firmly in the world of compromise. They are practical in terms of saving lots of time on low budget productions but that advantage comes at a cost.

Black is the new black

Published in Technology & Computing

A new nano material promises to transform camera, lens and display technology

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