RedShark News

4K lenses. What does that even mean?

Published in Technology & Computing

When it comes to dedicated lenses and 4k, lots of people have an opinion. One that’s probably worth listening to more than most, however, is that of Cooke Optics chairman, Les Zellan, who tells Andy Stout that he’s not impressed

The Opposite of Precision

Published in Technology & Computing

Who needs lens adaptors?

Another chance to read this fantstic pair of articles: If you use a professional digital camera, you can't go far without understanding the relationship between sensors, lenses and depth of field. It's slightly more complicated than you might have thought!. Phil Rhodes makes it understandable

Last time, we discussed some of the technical concerns of lens selection and the issues of compatibility with sensors of various configurations and sizes. In this part, we'll look at the effects sensor size has on photography and the engineering compromises behind lenses and sensors

One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses

New Canon Cinema EOS System Lenses

Published in Production

Canon has released two new lenses to for its growing Cinema EOS System. The CN-E 14mm T3.1 L F and the CN-E 135mm T2.2 L F are aimed at a wide range of uses "from low to high-end", according to the lens and camera manufacturer

Vintage lenses for large-sensor cameras - Part 2

Published in Production

Here's another chance to read part 2 of this beautifully detailed article on selecting a vintage lens for your large-sensor camera

Erik Vlietinck tries out the lens correction in this major new update with a GoPro camera

Tokina NEW 11-16mm CINE lens: Is it worth it?

Published in Production

Lens manufacturer Tokina is set to release a CINE version of its popular 11-16mm lens for APS-C and other crop sensor cams. But do the changes justify such an inflated price?

Vintage lenses for large-sensor cameras - Part 1

Published in Production

Here's another chance to read this meticulously detailed feature, where Uli Plank shows us how to look for lenses up to 50 years old, and use them with our modern, large-sensor cameras.

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