RedShark News

Digital Bolex: It's a drama

Published in Business

Never mind that it will be used to shoot drama - the story behind the design and production of the Digital Bolex D16 is a drama in itself

Last chance for film

Published in Business

Much as it’s clear that the writing is firmly on the wall for film, it’s still a bit sad to see people like Fuji finally shutting up shop. Their UK office closes today, leaving Kodak the only game in town

ISO ratings made perfect sense in the days of photochemical film but only serve to muddy the waters when it comes to assessing camera performance in the digital age.

Even in a world dominated by pixels and the "new aesthetic," there are a number of us who still love the seemingly undefinable look of celluloid film. Now, you can match it with digital video, very closely. In a major new review of Film Convert, Peter Haas shows how

Film fights back in Christopher Nolan's latest film

Practical 3D Filmmaking

Published in Production

Karl Schodt is an experienced 3D filmmaker. He believes that 3D's time is still to come; but come it will, and it will be soon

Film is back! People are actually designing and making film cameras again. And this one uses accessible film stock - Super 8mmm

Is this finally the end for film?

Published in Technology & Computing

ARRI's Alexa 65mm has made us think that it's a good time to look again at this question

It's a suggestion that runs directly counter to the past few years’ worth of digitisation efforts, but the producers of feature documentary ‘Side by Side’ have chosen to archive their movie on film stock. They might have a point

 Digital video can now demonstrably beat film in every way. So why do we keep comparing the two?

EditShare 2014 © All rights reserved. EditShare Logo

Top Desktop version

music Are you sure that you want to switch to desktop version?