Another great article from the vast RedShark Archive. Just in case you didn't see it first time around: "...it's perhaps surprising that the Super-8 film format is still – in what we might have expected to be the twilight of its years – quite popular. The popularity of retro-styled web imaging services like Instagram is another instance of what I suspect may be the same trend, and goes some way toward confirming the suspicion that distressed images are now just as fashionable as distressed jeans"
(This was an incredibly popular article when we ran it originally this year. In case you missed it, here's another chance to read it). It just won’t go away, will it? However much you can prove with specifications that digital video is indisputably better than film, there’s a stubborn feeling that there’s more to it than the simple-to-prove facts. We think we've identified one, subtle, process that helps film to store more visible information than digital.
ISO ratings made perfect sense in the days of photochemical film but only serve to muddy the waters when it comes to assessing camera performance in the digital age.
Where's the best source for 4K material? Old films. Blackmagic brings down the cost of film scanning
This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Toda, we're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject.
Can film in the UK make a comeback? Cinelabs International certainly seem to think so, as they have just acquired Bucks Media Services which is one of the few small film labs left in the UK
Here's another chance to read our review of the amazing Film Convert. (Note that this was first published in November 2013). Even in a world dominated by pixels and the "new aesthetic" there are a number of us who still love the seemingly undefinable look of celluloid film. Now, you can match it with digital video, very closely. In a major new review of Film Convert, Peter Haas shows how
Film fights back in Christopher Nolan's latest film