RedShark News

Analogue Film: the Sequel

Published in Technology

Phil Rhodes looks at how Ferrania could be generating new prospects for photochemical film

Does this send film to Oblivion?

Published in Technology

You may think we're hammering it a bit with the Sony F65, what with our piece on Belle, and with our forthcoming article on what differentiates the F65 from the F55, but let's be clear about this: we are actually at the point where you can make better films with video than you ever could with celluloid - and that's worth a significant amount of coverage

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

Film vs Digital: here's the reality.

Published in Technology

We're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject

Mexico: Putting the "business" in to film

Published in Business

Mexico, with its lengthy border with the USA, has a thriving culture, but lacks the financial means to compete with it's northern neighbour. Sergio L. Brito explains about Mexican history, culture and film making.

Practical 3D Filmmaking

Published in Production

Karl Schodt is an experienced 3D filmmaker. He believes that 3D's time is still to come; but come it will, and it will be soon

Can Blackmagic resurrect film?

Published in Business


You know what you never hear in the edit bay? “This looks too much like film, can we make this look less filmic?” John Burkhart reports

Film is back! People are actually designing and making film cameras again. And this one uses accessible film stock - Super 8mmm

Even in a world dominated by pixels and the "new aesthetic," there are a number of us who still love the seemingly undefinable look of celluloid film. Now, you can match it with digital video, very closely. In a major new review of Film Convert, Peter Haas shows how

Can film in the UK make a comeback? Cinelabs International certainly seem to think so, as they have just acquired Bucks Media Services which is one of the few small film labs left in the UK

EditShare 2014 © All rights reserved. EditShare Logo

Top Desktop version

music Are you sure that you want to switch to desktop version?