An elegantly arranged test between some well known digital cameras and an analogue one!
Phil Rhodes takes a look at some of the innovative technology that lay behind Pathé’s 9.5mm film format and the Pathé Baby projector, the Netflix of the 1920s.
Can film in the UK make a comeback? Cinelabs International certainly seem to think so, as they have just acquired Bucks Media Services which is one of the few small film labs left in the UK
Guest author Pavan Deep tells us why he prefers to shoot film, even when editing and finishing digitally.
Arguments about film vs digital are more numerous and more subtle than "which looks better?". It affects everything. Here's what people at the coal-face think. By Matt Aindow