RedShark News

Mexico: Putting the "business" in to film

Published in Business

Mexico, with its lengthy border with the USA, has a thriving culture, but lacks the financial means to compete with it's northern neighbour. Sergio L. Brito explains about Mexican history, culture and film making.

Kodak Motion Picture Film Gets New Life

Published in Studio & Broadcast

Kodak, and the photochemical film business in general, has been reeling of late. But a recent deal ensures many more years of 'real film'. RedShark Technical Editor Phil Rhodes reports and gives commentary.

What is it about Film?

Published in Production

"There is no creative advantage to shooting film" says a top industry figure.  So why do top movie directors keep using it? By Matt Aindow

VFX goes international

Published in Post & VFX

HaZ looks at the trend for post production and VFX to be moved overseas and asks the question: what does this mean to new and existing visual effects artists?

Why adding noise to video can be good

Published in Technology & Computing

Adding noise to video may seem daft, but sometimes, it's the best thing to do

Analogue Film: the Sequel

Published in Technology & Computing

Phil Rhodes looks at how Ferrania could be generating new prospects for photochemical film

Last chance for film

Published in Business

Much as it’s clear that the writing is firmly on the wall for film, it’s still a bit sad to see people like Fuji finally shutting up shop. Their UK office closes today, leaving Kodak the only game in town

Guest author Pavan Deep tells us why he prefers to shoot film, even when editing and finishing digitally. 

Phil Rhodes takes a look at some of the innovative technology that lay behind Pathé’s 9.5mm film format and the Pathé Baby projector, the Netflix of the 1920s.

Kodak confirms that film isn't going away

Published in Production

Kodak has committed to keep producing film for studios and filmmakers - for as long as they want to use it

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