Peter J. Haas outlines how to go about planning a shoot that utilizes RAW image capture, including a file size comparison between DSLR formats and CinemaDNG , a discussion of shooting ratios and how this translates into storage requirements for a secure post-production environment
Developments in the field of magic lantern raw video continue to grow with news that developers have managed to get raw video support up and running on the Canon 50D, a 5 year old camera that predates the Canon 5D Mark II and which shipped without any video capability at all!
Is the move towards large-sensor cameras completely one-way? Simon Wyndham doesn't think so
Phil Rhodes gets into the technical nitty-gritty of why you should seriously consider 4K acquisition if you're ending in high def.
When the Lytro camera was launched a couple of years ago it heralded the dawn of a new age of Photography, where the camera was not just an updated version of the Camera Obscura. Now we are starting to see even more possibilities and they may even be coming to video...
Craig Marshall visits RØDE's headquarters in Sydney for RedShark and finds out what it takes to make high quality microphones that sell worldwide
Panasonic's GH4 has exceeded all expectations. It's a 4K professional video camera in the guise of a still camera. It has stuff never before seen on a still imager. Here's our in-depth look at this stunning new camera
For most people, repetition represents boredom. Doing the same thing again and again means not doing new things. A lack of innovation. An absence of creativity. But sometimes, the ability to repeat something, precisely and consistently, opens up new creative options, and can be instrumental in making something wonderful. Here's a perfect example