Craig Marshall visits RØDE's headquarters in Sydney for RedShark and finds out what it takes to make high quality microphones that sell worldwide
Peter J. Haas outlines how to go about planning a shoot that utilizes RAW image capture, including a file size comparison between DSLR formats and CinemaDNG , a discussion of shooting ratios and how this translates into storage requirements for a secure post-production environment
The NEX-EA50EH is an NXCAM Camcorder with a large format Exmor APS-C HD CMOS sensor and interchangeable E-Mount lens system that can shoot in full HD and take 16 megapixel still photos. It comes with the newly developed SEL-P18200 18-200mm Power Zoom E-mount lens with “Optical Steady Shot” image stabilisation
With video cameras now sporting 4K video - that's the equivalent of 8 Megapixels, each frame is capable of looking like a pretty decent still photograph. This means that not only can you grab high quality frames from video to use in still image media, it might actually be the best way in the future to do still photography, because you will have a wonderful, 24 or even 60 frames per second to choose your stills from
Broadcast Quality Audio Field Recording with Prosumer Cameras and DSLRs ("Unlocking the Mysteries of ‘Phantom Power"). RedShark contributor Craig Marshall reports
The Panasonic Lumix GH3 keeps amazing us with the quality of the video it can create in capable hands. Regular RedShark contributor Mark McCarthy of Sparky Media Productions takes us to Abu Dhabi, capital of the United Arab Emirates, where the clear skies, geometric patterns and striking buildings are the perfect way to test a camera
Developments in the field of magic lantern raw video continue to grow with news that developers have managed to get raw video support up and running on the Canon 50D, a 5 year old camera that predates the Canon 5D Mark II and which shipped without any video capability at all!