RedShark News

This is how to make a showreel

Published in Post & VFX

This is how to make a showreel. You have just a few minutes to grab people's attention. This is your calling card

Premier has a built-in colour grading tool that's powerful in itself, but even more so because it's right there within the application

[Updated] Imposing a "strong" look on a film can take all the original goodness from it. Phil Rhodes wonders whether we can take the concept of "skin tone" seriously any more.

Here's how to make your films look good

Published in Production

RedShark Replay: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains (first published June 2013).

Colour Correction basics - an excellent tutorial video

Published in Post & VFX

How often do people really take the time to explain the real basics? With stuff like colour correction, while you can and should rely on your eyes and a good, colour-calibrated monitoring system, you also need to make sure that your graded output is technically OK, or it might be rejected by your client

Colour Grading in the Bedroom

Published in Post & VFX

Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

What colour is night?

Published in Post & VFX

What colour is night? This simple question leads to some deeper questions about colour in film making

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

Using Resolve with the Blackmagic Cinema Camera

Published in Post & VFX

Blackmagic have just released a firmware update for the Cinema Camera which together with the latest version of Resolve bring a few changes to the workflow

Blackmagic Davinci Resolve 10: The full rundown

Published in Post & VFX

Here's a full-length, in-depth look at Resolve 10 and the background to its development. RedShark reporter John Burkhart has been talking to Blackmagic about this seminal post production application.

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