RedShark News

What colour is night?

Published in Post

What colour is night? This simple question leads to some deeper questions about colour in film making

Colour grading breakdown

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Colour grading has moved into the mainstream of video production, and we're always thirsty for advice about how get the job done convincingly - hopefully adding value to the finished work

What do electric guitars have to do with colour correction?

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Well, nothing really. But some of the tech used to coax new sounds from electric guitars is similar to some types of video production techniques. It's worth taking an "out of the box" look at how the two compare. Oh, and there's some great guitar playing as well

This is how to make a showreel

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This is how to make a showreel. You have just a few minutes to grab people's attention. This is your calling card

Colour correction in Blender: an excellent tutorial

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We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Blackmagic Davinci Resolve 10: The full rundown

Published in Post

Here's a full-length, in-depth look at Resolve 10 and the background to its development. RedShark reporter John Burkhart has been talking to Blackmagic about this seminal post production application.

RedShark Summer Replay: What Colour is Night?

Published in Post

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Larry Jordan is a well known video industry figure, whose webcasts are listened to in 175 countries. We asked him about editing, color correction, the cloud, and whether he's looking forward to April's NAB - the biggest show of the year

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

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