RedShark News

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

Color grading in black and white

Published in Post & VFX

Tim Burton’s stop-motion Frankenweenie calls for black and white grading

Colour Correction Overload?

Published in Post & VFX

We love colour grading. The way you can transform mundane-looking footage and turn it into something rich and compelling is magical

What do electric guitars have to do with colour correction?

Published in Post & VFX

Well, nothing really. But some of the tech used to coax new sounds from electric guitars is similar to some types of video production techniques. It's worth taking an "out of the box" look at how the two compare. Oh, and there's some great guitar playing as well

What colour is night?

Published in Post & VFX

What colour is night? This simple question leads to some deeper questions about colour in film making

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Colour correction in Blender: an excellent tutorial

Published in Post & VFX

We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is

Using Resolve with the Blackmagic Cinema Camera

Published in Post & VFX

Blackmagic have just released a firmware update for the Cinema Camera which together with the latest version of Resolve bring a few changes to the workflow

Colour Grading in the Bedroom

Published in Post & VFX

Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains.

EditShare 2014 © All rights reserved. EditShare Logo

Top Desktop version

music Are you sure that you want to switch to desktop version?