RedShark News

Magic Bullet Looks - RedShark Review including video

Published in Post & VFX

In the first of a two-part series, RedShark News Contributor Kevin Luiz explores the current incarnation of Red Giant's popular Magic Bullet Looks, the colour-grading centerpiece of the Magic Bullet Suite.

Colour correction in Blender: an excellent tutorial

Published in Post & VFX

We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is

Sony's latest range of Televisions, the W9 series, feature a new backlighting technology which massively increases the range of colours that can be displayed.

Light Illusion's new SpaceMatch DCM software promises to guarantee facility-wide colour matching of PC displays by circumventing the standard ICC Profiles that can throw things badly out of kilter.

Processing colour with analogue eyes

Published in Post & VFX

Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

Understanding Colour: Colour Gamuts

Published in Technology & Computing

Gamut is one of the stranger words in the English language. Phil Rhodes sheds some light on this often misunderstood term

Color grading in black and white

Published in Post & VFX

Tim Burton’s stop-motion Frankenweenie calls for black and white grading

iPad as a Reference Monitor?

Published in Technology & Computing

The new iPad  - now in its second generation only months after the first Retina device - has the highest resolution screen ever seen on a mobile device, with significantly more pixels than even a full HD (1080p) monitor. There's room for a full HD picture and other data or UI elements all round it.

ACES high. With the technology looking set to feature prominently at NAB, Red Shark Technical Editor, Phil Rhodes, delves into the complexities of the Academy Color Encoding System (ACES). Part One looks at the problems it sets out to solve.

In the third and final part of Red Shark Technical Editor, Phil Rhodes' examination of the complexities of the Academy Color Encoding System (ACES), we look at how it's working out in the real world.

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