As digital video cameras get better, and their users become more ambitious, LUTs are used to preserve or manipulate the images. Understanding LUTs is now key to setting up a production workflow

Internet forums, YouTube and magazines are full of articles extolling the virtues of large sensor video cameras, whether it's the Red Epic or the Canon C300. But should we be obsessed with the Big Chips, or do they have a downside as well. Kieron Seth investigates.

We're replaying some of the best articles from 2012 in case you missed them the first time round. Today: What does "broadcast quality" mean these days by Phil Rhodes

Equipped with a proxy encoder and WiFi module the Panasonic AG-HPX600 ushers in an era of the camera-server that enables remote operation, screening, and collaboration, on a level we haven’t previously experienced. Barry Braverman reports

Procam, a UK-based hire company, has shown a huge commitment to 4K by placing the biggest ever order for equipment by a hire company with Sony

There's a lot of information to take in here with these new Sony cameras and all the stuff that goes with them. We've just been to the European launch and things are a little clearer.

Sony's FS700 will be capable of shooting in 4K with a future upgrade, but available right now is full HD up to 240 fps. Phil Rhodes tries it out.

Just a few blurry shots but here's Sony's prototype 4K media player - and a shot in video of the 4K consumer camcorder

More breaking Digital Bolex coverage: detailed pictures of the actual D16 body

Sony caught the entire industry on the hop with their low list pricing for the recently-announced F5 and F55 4K-capable cameras, but now we're seeing the first street prices, and they are, of course, even lower!