This year's NAB show has proved to be an interesting one for Digital Bolex, and perhaps not in a way that they would have wanted. With Blackmagic announcing (out of the blue!) their Pocket Cinema Camera - essentially at 16mm digital cinema camera - the "digital 16mm" space is now alive with competition
The world changed again today when Blackmagic introduced two more cameras. A 4K camera for $3,995, and - a total surprise a "pocket" digital film camera for $995. An excited Freya reports
Products like the Blackmagic Cinema Camera and the upcoming Digital Bolex D16 - not to mention Magic Lantern-hacked EOS cameras are all capable of producing raw video. Just a few years back, virtually no-one had encountered this strange new format. Now, it's all over the place. Peter Haas looks at how you deal with this stuff in the real world
This morning, I woke up in my Las Vegas hotel room unspeakably early thanks to persistent jet lag. In my email was a note from RedShark contributor Freya Black saying "Here's the article on the two new Blackmagic cameras"
Ever wonder what a Canon 5D MK2, an NEX FS100 and a Blackmagic Cinema camera look like, side by side? Probably not because two of these are the old models and you'd more likely be thinking about a 5D MK3, an NEX FS700 and the Blackmagic camera. But that doesn't make this any less interesting
The industry has been patiently waiting for the Blackmagic 4K Production Camera to arrive. Here's the latest on the 4K camera and other news from Blackmagic General Manager EMEA Stuart Ashton.