RedShark News

Whether you call it single system or in-camera sound, it may be time that camera makers develop products with better native audio recording capabilities.

There are advantagest to Adobe CC: you get iZotope tools

Published in Audio

iZotope's audio tools technology is now included with Adobe Premiere Creative Cloud

EQ is an essential part of the audio production toolkit, but it can be difficult to control, and because of that, it's not always used to its fullest effect

RedShark Review: Beachtek DXA-SLR ULTRA

Published in Audio

The Beachtek DXA-SLR ULTRA is an inexpensive audio interface and pre-amp that fits under your camera

The next generation of audio for TV

Published in Studio & Broadcast

The next generation of audio for television is set to be much more flexible

Atomos Ninja 2 + Nikon D800: Part 3 of 3

Published in Production

Phil Rhodes looks at how you would use the Ninja 2 and Nikon D800 on a shoot. But first he compares HDMI and SDI.

Broadcast Quality Audio Field Recording with Prosumer Cameras and DSLRs ("Unlocking the Mysteries of ‘Phantom Power"). RedShark contributor Craig Marshall reports

View From the Top: Sound Devices

Published in Audio

We ask industry leaders to tell us about their companies and how they see the future. External recorders are now selling in large numbers and the Sound Devices Pix 240 is a popular example.  Jon Tatooles, Managing Director of Sound Devices, tells us about his company and how he sees the years ahead.

Audio brings life to animations

Published in Post & VFX

I was present at the audio mixing stage of Aardman Animations' "The Wrong Trousers" or "Wallace and Gromit" as most people remember it. This stop-motion animation classic was hilarious from the first frame to the last, but for me the most memorable thing was seeing it without sound, and then with sound

Pro Tools is on the RADAR

Published in Audio

Here's a new device that will run Pro Tools natively, and fully optimise it for multitrack studio recording

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