RedShark News

Broadcast Quality Audio Field Recording with Prosumer Cameras and DSLRs ("Unlocking the Mysteries of ‘Phantom Power"). RedShark contributor Craig Marshall reports

Zacuto posts new audio tutorial series

Published in Audio

Zacuto, the Filmmaking accessories company, has posted a series of audio-for-video tutorials on its site

Why can't you freeze-frame sound?

Published in Audio

There's something rather curious about sound, which is that it can range from a simple, single tone like a sine wave (or a flute, if you like) to a complete orchestra at the climax of a symphony. Even day-to-day background "atmospheres" can be a complex mosaic of hundreds of sonic elements: just think of the din at a supermarket checkout, or the racket at a soccer match when someone scores a goal

Pro Tools 11.0 released by Avid

Published in Audio

Pro tools has been around since 1991, a time when doing any sort of digital audio editing was a technical challenge. The most you could expect was to play back a few tracks, and there were absolutely no real-time effects or processes (apart from volume!) at that time. Now, an important new version is released

Audio brings life to animations

Published in Post

I was present at the audio mixing stage of Aardman Animations' "The Wrong Trousers" or "Wallace and Gromit" as most people remember it. This stop-motion animation classic was hilarious from the first frame to the last, but for me the most memorable thing was seeing it without sound, and then with sound

Linux and OS X: Ardour DAW now supports video playback

Published in Audio

This high-end Linux and OS X Digital Audio Workstation now supports video playback. Chris Erswell reports

EQ is an essential part of the audio production toolkit, but it can be difficult to control, and because of that, it's not always used to its fullest effect

View From the Top: Sound Devices

Published in Audio

We ask industry leaders to tell us about their companies and how they see the future. External recorders are now selling in large numbers and the Sound Devices Pix 240 is a popular example.  Jon Tatooles, Managing Director of Sound Devices, tells us about his company and how he sees the years ahead.

Ninja 2 + Nikon D800 Review: Part 1 of 3

Published in Production

DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

Zoom H6: A new standard in audio?

Published in Audio

There's going to be no shortage of very highly capable cameras in the next few months and years. DSLRs have been on the video scene for a few years, and now face competition from relatively low-cost cameras aimed directly at the cinematography marketplace

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