While it's tempting to think that with the Magic Lantern EOS raw hack out in the open that normal, compressed video will never be good enough again, that's taking far too strict a line on it. The fact is that the conventional video output from cameras like the EOS 5D MK III is very good indeed with the exception of certain well-known issues like moire and rolling shutter
Atomos, the Melbourne, Austraila - based company, has finally shipped their Connect converters. These are small, battery-powered gadgets for converting HDMI to HDSDI and vice-versa - with a few extra tricks hidden inside their compact packaging.
RedShark reader Krasnapolski saw Peter Haas' film Peter Pan Bakery, shot with a Digital Bolex D16, and sent us a link to a very similar production: Mario's Cafe by Roland Denning, a customer at the cafe. It was shot with a Sony Z7 HDV Camera. It's fascinating to compare the two!
We're following a bit of a theme here: ProRes versus in-camera recording. Here's an extremely interesting clip with a split-screen demonstration of ProRes vs a Canon C100's internal codec which is 24Mbit/s AVCHD
A new video showing the C100 in detail and how it might be used with an external recorder for even better images
The typically grey and murky English weather is the bane of photographer's lives but on this occasion it only adds to the sense of foreboding as we look at these weird, sinister relics
The NAB exhibition in Las Vegas starts on Monday 8th of April, and the RedShark team is packing its bags ready for a long flight to Nevada on Friday. Stand by for NAB's big and surprising announcements
Sony's new A7s is a well thought out 4K-capable camera. Sony briefed us, giving some more information