We're following a bit of a theme here: ProRes versus in-camera recording. Here's an extremely interesting clip with a split-screen demonstration of ProRes vs a Canon C100's internal codec which is 24Mbit/s AVCHD
While it's tempting to think that with the Magic Lantern EOS raw hack out in the open that normal, compressed video will never be good enough again, that's taking far too strict a line on it. The fact is that the conventional video output from cameras like the EOS 5D MK III is very good indeed with the exception of certain well-known issues like moire and rolling shutter
Sony's Glasnost: Is Sony opening up to working with other companies and products?
Sony's tiny 4K HandyCam supports a full 4K HDMI output that should be compatible with the upcoming Atomos Shogun 4K recorder - months before the A7S
In an ideal world, there ought to be no need to calibrate displays
Atomos has finally released their Avid DNxHD upgrade for Ninja-2 field recorders. First hinted at over a year ago, the new firmware upgrade will allow direct capture from HDMI sources into the Avid format, which is usually lossless at higher bitrates