The decision by the International Olympic Committee to give the 2020 Olympics to Tokyo means that NHK's decades long project to bring its 8K Super Hi-Vision project to the masses not only has a deadline but that 4K now has the threat of built-in obsolescence to cope with.
It dawned on me just the other day: we are living in the future. There is so much innovation and new technology around us that it no longer feels like we're merely living in the present. It's as if we're in a science fiction movie where we've been transported forward by ten or twenty years
Just because we can do 16 bit, High Dynamic Range, 6K and 8K: does that mean we need it? Here's where to start in the debate
Taken with something of a sense of irony, a camera phone can't do justice to the magnificence of an 8K, 33 megapixel video screen.
The future of TV isn't about resolution but immersion. Netflix wants to take us bigger and wider
In many ways IBC2013 was a quiet show. Yes it boasted record visitor numbers, but few things happened out in Amsterdam that hadn’t been predicted beforehand: namely HEVC-powered 4K is on the horizon, the second screen is increasingly important to broadcasters’ plans, and higher frame-rate imaging is moving closer and closer to mainstream acceptance. Andy Stout looks back on five days in Amsterdam
Sky TV (one of the UK's major broadcaster and widely viewed across Europe) is remaining tight-lipped about their plans for 4K. RedShark contacted them recently with an interview request and the response was that no-one was available. This is in stark contrast to when they were launching 3D, when they were somewhat more effusive about their 3D roadmap