RedShark News

The future of TV isn't about resolution but immersion. Netflix wants to take us bigger and wider

The Sony F65 is now an Indie Film camera!

Published in Production

It's kind of surprising to see a top-end camera like the F65 being used in smaller independent films. But the reality is that it's not so expensive and difficult to operate that it's out of range of this type of production. And here's the proof

Screens are getting wider: wider than widescreen. And this is a good thing

When cameras are Good Enough

Published in Technology

Have cameras reached the point where we need to be looking beyond resolution to judge their film-making abilities?

NHK & Mistubishi’s 8K HEVC encoder

Published in Technology

It looks unassuming, but this lump of rack unit kit is part of the future of broadcast. Given that five minutes of uncompressed 8K can take up an entire terabyte of storage, harnessing the power of HEVC to squash it down into something both storable and transmittable is a worthwhile venture. NHK and Mitsubishi have been the first to do it with this 8K encoder.

Just because we can do 16 bit, High Dynamic Range, 6K and 8K: does that mean we need it? Here's where to start in the debate

Claudio Miranda on Oblivion and the Sony F65

Published in Production

There's no doubt that Sony's pretty pleased about the results of their F65's role in Oblivion. And well they might be: the internet is bursting with plaudits for the look and style of the film

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

8K football production system from Sony

Published in Production

Sony has developed a mind-bending application for UHDTV (Ultra High Definition TV) that records the action on an entire football pitch, and then allows an area of the pitch to be selected and output at "standard" 1080 or 720 resolutions.

8K & Omnicam: more World Cup innovation

Published in Production

The 4K broadcasts from the latter stages of the World Cup in Brazil might have grabbed all the headlines, but Japan’s NHK also oversaw the capture of nine — yes, nine — matches in 8K, while the Final was also captured in 360° panoramic video too.

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