RedShark News

Production

Opinion: Guest writer, Wild Dog Limited’s Andrew Johnstone, is at a film gear crossroads - should he purchase his next documentary camera or stick with the 'old reliable'.
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Most GoPro competitors cannot match the undoubted POV leader’s picture quality due to insisting on keeping to very low bitrates, but the list of innovative and user friendly features on its rivals just gets better and better. The TomTom Bandit is a case in point.
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According to reports we're reading, the Sony A7R II should be in the shops in the first week of August.
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While we always try to keep our feet firmly on the ground, sometimes extreme high-end kit is just too good to ignore. And that is exactly the case with Fujinon's ZK4.7x19 19-90mm Cabrio.
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The AJA CION has been available for some time now, but very little finished footage has been seen so far. Here's an example from a production shot in New York.
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RedShark Replay: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains (first published June 2013).
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We bracket the weekend with another Panasonic camera, the LUMIX DMC-GX8, which raises the bar quite significantly for the Micro Four Thirds format.
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4K UHD & DCI, MFT, ISO 102,400, 7 ounces...A Chinese company has just announced a very small 4K camera with some interesting specs and is marketing it to drone flyers.
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Learning to fly. As we’ve written before, you can’t just buy a new drone and take to the skies with your new aerial photography business without jumping through some quite serious legal hoops. Simon Wyndham details his experience of the UK system.
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Roland Denning on documentary filmmaking when you are your only crew.
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Richard Payne, Technical Presales Manager for Panasonic Broadcast distributor Holdan in the UK, has got his hands on an engineering sample of the new Panasonic DVX200 and is very, very impressed.
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