Production

The VariCam Pure turned heads when it was announced ahead of IBC last year and now, having seen some of the first footage from it, you can see exactly why.
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SmallHD's latest offering is a high contrast, OLED variant of its 702 7-inch monitor line and marks the company's first foray into all things OLED.
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As camera makers introduce models that are capable of higher burst rates and 4K video capture, memory card technology must move at a similar pace to take full advantage of these features. Step forward Sony’s 300MB/sec new entrant.
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Fujifilm says that its new MK series of cinema lenses boast advanced optical performance, coupled with ultra-compact and lightweight design and excellent cost performance. At $3799 for the initial Fujinon MK18-55mm T2.9 it could have a point. 
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Purveyors of all things fast and awesome, Vision Research, has added a global shutter to its flagship Phantom Flex4K high speed camera in an all-new model, the Phantom Flex4K-GS.
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We’ve already covered the announcement of Sony’s FE 100mm f2.8 STF GM OSS and FE 85mm f1.8 lenses, but just the other day Ned Soltz was part of a group of journalists who had the opportunity to shoot with both lenses and to grill Sony about them. He left the shoot impressed.
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Tune in here later today for a live show discussing all that’s good, fascinating and challenging about HDR. We’ll have expert guests in the studio and you’ll be able to interact with us in real-time.
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RedShark Preview: An early peak at the 17-inch, 10-bit 1703-P3 monitor from SmallHD, which promises greatly improved colour performance over your typical Rec. 709 display.
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At the recent BSC Expo, Phil Rhodes discovered an undeniable trend for retrofitting hot light housings with LEDs.
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RedShark Review: The new Anamorphot lenses from SLR Magic offer that sought-after anamorphic character at reasonable prices.
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Want to liven up your footage in post? Try adding some light leak overlays to your video editing arsenal. These versatile drag-and-drop elements can make a world of difference.
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