RedShark News

Production

September kicks off with the release of Teradek's VidiU Pro, a high definition streaming solution with killer features to ensure you have "the bandwidth needed to stream your HD content from anywhere, to anywhere."
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Phil Rhodes reviews the Square One, a fluorescent 'panel' from Photon Beard that holds some distinct advantages over comparable LED units.
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Sony’s second generation CineAlta lenses have been unfairly overlooked, but they could herald a true shift in the price we have to pay for decent quality PL mount glass.
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The news about the shooting of TV journalists Alison Parker and Adam Ward in the US state of Virginia yesterday was sickening. As Andrew Johnstone writes though, violence against journalists is a global issue.
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In the second of our exclusive ARRI AMIRA video diaries, Mark McCarthy uses the camera in a field he knows inside out and is rather delighted with the results.
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As the Apertus camera teeters on the verge of being produced, Rakesh Malik chronicles the progress to date of the project which is committed to bringing the first production-ready open source camera to market.
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Canon has a new unit out, the CJ12ex4.3B, a new 2/3” portable 4K zoom lens with the world’s widest focal length, an ultra, ultra wide angle 4.3mm.
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We don't publish Hyperlapse films unless they're really stunning. And this one is...
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Blackmagic is cutting prices on its HD and UHD Studio cameras, prepping its URSA cameras for the arrival of the URSA Viewfinder, and bringing back its 3G Mini Converter range at a lower price point. Phil Rhodes & Patrick Taylor report.
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Flickering Hearts: Kevin Luiz of Capion Studio extends his exploration of the Panasonic GH4's anamorphic mode, this time taking us into low light territory.
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Increased resolution means hitting focus is more critical than ever. But have advancements in resolution outstripped our ability to determine when an image is in sharp focus?
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