Post & VFX

What are the best rigs for cutting your project as we move inexorably into the 4K future? As of here and now, here are a few that George Shaw reckons are leading the charge.
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Creatives working on Westworld had an elegant solution for co-ordinating looks between the set and post production.
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As well as the Ursa Mini 4.6K Pro camera announced last night, Blackmagic also unveiled two new control panels for DaVinci Resolve: the $995 DaVinci Resolve Micro Panel and the $2995 DaVinci Resolve Mini Panel.
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‘The Human Race’ is a new short film created by Epic Games, The Mill and Chevrolet, which celebrates the 50th birthday of the Camaro but whose realtime CG techniques could go on to revolutionise filmmaking.
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Colourist Andrea Orsini reveals the ways in which DI can craft nonfiction through his work on Oscar-nominated Fire at Sea.
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RedShark Replay: Roland Denning profiles the way that technology has changed the editing process from the times when machines like the tape splicer above were cutting edge.
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05 Feb 2017

The role of the colourist

by Published in Post & VFX
RedShark Replay: A breakdown of a Mitsubishi commercial from early 2016 highlights the importance of a good colourist.
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In editing, as elsewhere, AI offers both intriguing possibilities and huge potential pitfalls. Perhaps though the biggest issue that we face is that AI editing is already here, and it is getting better and better all the time.
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Adopting a wide aspect ratio for our pictures, even when chucking pixels to do it, tricks our brains into perceiving quality.
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RedShark Review: MotionVFX's latest version of mHUD heads up display graphics plugin for FCP X.
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RedShark Review: Hedge Connect is a useful looking iOS companion app to Hedge that notifies you about the state of your offloads when working on set.
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