Post & VFX

Director Tim Miller brings a popular anti-hero to the big screen with help from Adobe Creative Cloud.
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A new app from Utah’s Luma Touch promises some interestingly powerful vfx layering and colour correcting capabilities to iOS. The price? How does $4.99 strike you?
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RedShark Replay: Part two of our comprehensive guide to editing looks at bringing your material into the NLE.
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24 Feb 2016

The role of the colourist

by Published in Post & VFX
A recent breakdown of a Mitsubishi commercial highlights the importance of a good colourist.
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The Hollywood Post Alliance is one of the most powerful tech bodies in the industry, and now it's planning a UK version of its rightly legendary HPA Tech Retreat event for July.
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RedShark Replay: Here's another chance to read part one of our major guide to editing from start to finish, containing all the practical stuff you need to know for a sucessful production.
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Following feedback from users who played with the prototype, Tangent has updated the design its Ripple control surface.
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Replay: How often do people really take the time to explain the real basics? With stuff like colour correction, while you can and should rely on your eyes and a good, colour-calibrated monitoring system, you also need to make sure that your graded output is technically OK, or it might be rejected by your client
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Our industry doesn’t have the monopoly on needing to work with 4K images. Digital Signage is increasingly upping the resolution ante too, and the recent ISE show in Amsterdam confirmed its 4K future.
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Awards season is almost upon us and as far as visual effects work goes, the American Academy and British BAFTA voters are broadly in agreement. Here are some suitably stunning breakdowns...
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As Super Bowl mania consumes the US ahead of Sunday’s game, the end of the week has also been a Super Bowl of sorts for software updates.
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