RedShark News

Post & VFX

The Force is strong in these people. No sooner had the Star Wars: The Force Awakens trailer hit the internet than video artists got busy rotoscoping, adding effects and generally playing moddy havoc with the original trailer.
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There has been an awakening: Kim Kardashian’s famous derriere might have attempted to break the internet a few weeks ago, but it belonged to the geeks first and the new trailer for Star Wars: The Force Awakens put servers under a pressure they had rarely seen before. Why? Because it was good.
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The latest young adult book series to hit the big screen ditches mundane romance in favour of dystopian grit and VFX-driven spectacle. Method Studios' Sue Rowe reveals how the studio helped construct the movie's breathtaking labyrinth.
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Red Giant has just released version 1.3 of its Universe Plug-ins package, including 13 new Plug-ins and support for DaVinci Resolve 11.
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The Mighty Kong is back, via an upcoming feature-length movie followed by 12 half-hour episodes, courtesy of Netflix. Web-based content delivery and all-CG animation won't be the only ways in which the classic creature is updated, however.
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The answer? 8K video at 60p
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Here's part 3 of "How to Edit": The edit itself.
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Part two of our editing feature looks a bringing your material into the NLE
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Here's part one of our major new guide to editing, from start to finish. All the practical stuff you need to know for a sucessful production
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16 Nov

Editing Fury

by Published in Post & VFX
Phil Rhodes talks to noted film editor, Dody Dorn, about her latest work on David Ayer’s Fury and the complications of editing at four different sites.
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Many Mac users are wondering if and when they'll see Blackmagic Fusion 7 arrive on their platform. In a recent forum post, Blackmagic CEO Grant Petty answered some of their questions.
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