RedShark News

Post & VFX

Jobs cut hit hundreds as the studio's woes continue amidst disappointing box office figures and low share prices.
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Often some of the more creative work you will see over the course of any given year, this year’s Academy-nominated short films are set to air on the big screen. Catch them while you can.
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SYNC is a Sci Fi high concept short film by our friend and RedShark contributor Hasraf Dulull (HaZ)
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In the run-up to the 2015 Oscar's, we're highlighting nominees in the Visual Effects category. First up: Interstellar and a behind-the-scenes featurette that explains how the production brought its black hole into being.
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Here's another chance to read Peter Haas' article on how by doing despicable things to your video data, you can get wonderful results!
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The colour grading process on the Ridley Scott's epic Exodus: Gods and Kings may be instructive for those looking to tackle a project that will be exhibited in 2D and stereoscopic 3D.
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 Use a touchscreen as an NLE controller? Actually, it works rather well
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There’s more to Laika’s latest animated movie The Boxtrolls than meets the eye, not least in the way this ostensibly stop-motion creation seamlessly utilises modern animation techniques and even 3D printing to tell its wonderfully dark, critcally-acclaimed and subversive story.
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One man's quest to put together a smooth, responsive system to run DaVinci Resolve on a budget (and how to get round some of the problems that will trip you up when you try).
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Here's another chance to read Peter Hass's excellent article on the art of editing. 
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(This is a second chance to see this lovely retro look at DaVinci.) I'm no fashion guru, but I do remember that in 1987 women wore shoulder pads the size of a small country and men rolled up their jacket sleeves as if it was almost an anatomical necessity. And I spent hours trying to recreate Jan Hammer's synthesised guitar…
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