Post & VFX

RedShark review: Is the CalDigit T4 an appropriate fit for editors and video professionals?
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RedShark review: Automatic Duck's solution for making Motion a more useful tool in Final Cut Pro X workflows.
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There’s no better place to see and feel the exponential rate of progress in technology than a modern, state of the art VFX/CGI facility. London’s Soho is packed with them but only a select few can claim such prestigious and mind-bendingly complex projects as Cinesite. 
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Craig Marshall wonders why this particular clip of Willie Nelson singing Gershwin's 'Summertime' looks and sounds quite so good.
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RedShark Review: Telestream Switch 3 Pro offers a host of options to measure the quality of video.
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The Unity game engine has proved capable of some amazing visuals in the past, but nothing has quite prepared us for the realtime rendering it’s pulled off in the short film Adam, powered by nothing more than a GeForce GTX980 graphics card.
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Red Giant has updated its subscription suite of GPU-accelerated effects and transitions, with a particular emphasis on motion graphics.
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Autodesk plans to offer many of its more popular programs bundled in three different cost-saving collections, with each one aimed at a different industry — one will be for media and entertainment. By Keith Fraissinet
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Remember tape-based workflows and how you would first take a project into offline first before hitting the uber-expensive online suite? Craig Marshall does and that process is still reflected in the way he works today.
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Here's an early peek at the Tangent Ripple control surface, which offers some of the functionality of the company's more upscale products at a fraction of the price.
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The LUTx plugin for Final Cut Pro X adds some useful features over and above what you might expect from a  standard LUT plugin.
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