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Andy Stout concludes his look at over a century of VFX in the movies with a glimpse at the pre-digital practical tools and the techniques that have been used over the decades to make an audience's collective jaw hit the floor
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It's not easy to make a photo-realistic animation of an eye, but this proves that it can be done - complete with peach-fluff!
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 It's a big day for the Lightworks team today because they're releasing a big new upgrade. Even though it's a "point" release, there's a lot of important stuff in there, so let's dive straight in
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27 Jan

Real Time Retouching?

by Published in Post
A few years ago Dove made some excellent commercials using timelapse to show how a models face was digitally retouched for a poster campaign. Now Hungarian singer Boggie has taken the concept a step further...
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 Editing is more than just the mechanics of cutting a film. RedShark's US East Coast correspondent, Peter Hass has accumulated some very practical advice over the course of his carrer as a busy cameraman, editor and producer.
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Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue
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Blackmagic Designs have released an update to their Resolve Colour Grading software, version 10.1, adding support for the FCPX 10.1 XML format, an easy way to switch between multiple takes and rich text titles.
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 There's an unstoppable onslaught of effects in this latest Superman film, with superb physics
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Apple's controversial FCP X has received an update timed to coincide with the release of the new Mac Pro
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Our eyes don't work like a camera set to "manual" mode. They're set to "automatic everything" and you can't turn it off. In fact, the very means we use to identify a colour depend on the surrounding hues. This, to put it mildly, can lead to mistakes
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