Post & VFX

RedShark Replay: Guest Author Vladomir Boboshin details exactly what you can do when your role shifts from editor to emergency sound designer.
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Opinion: Final Cut Pro 10.3 requires Apple’s El Capitan 10.11.4 or greater which, for some users, means having to make some harsh choices. Ned Soltz is unimpressed.
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Red Giant has released Magic Bullet Suite 13, a major update to its powerful set of colour correction, film look and finishing applications.
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RedShark Review: For nearly fifteen years now, Danish-based Logickeyboard has been busy producing custom colour keyboards that interface industry standard video, audio and graphic packages, and the new Astra LED backlit series continues in that fine tradition. By Iain Churchill-Coleman.
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We revisit the solid state drive (SSD) market and investigate why some of our more optimistic predictions have yet to pan out.
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Make a spooky 'Halloween'-inspired video and you could win an Oculus Rift! [sponsored]
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A well-crafted animation short reminds us that the medium can produce much more than kiddie fare.
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We’re all living inside a giant media asset management system. It’s called the universe, and some remote parts of it run intelligent software called “Humans”. We somehow manage to keep track of a seemingly infinite mountain of assets.
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RedShark Review: Ned Soltz takes Denver Riddle’s ACES-compatible $149 Color Finale Pro for a spin and is impressed with what he finds.
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The Foundry says that 10.2 is going to be the final instalment of the MODO 10 Series but sweetens the expected pill with a raft of new features. By RedShark Staff Writer Keenan Gorrie
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08 Oct 2016

The art of Colour Rendering

by Published in Post & VFX
RedShark Replay: Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue
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