RedShark News

Post & VFX

With more than 200 bug fixes and some fairly hefty new features among a plethora of tweaks, Blender 2.73 is somewhat more than just a point release. Guest Author, Gottfried Hofmann, provides the details.
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Resolve 11.2, announced today, has some useful upgrades, including one that will make it easier to move between raw files and more "conventional" colour spaces
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Here's an exciting and rather insipiring new sci-fi short, Atropa, featuring gorgeous visuals and deft direction, all of which has been achieved on a shoestring budget.
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If you haven’t come across Joe Schenkenberg (better known as Joey Shanks) and his PBS Digital Studios show Shanks FX, it’s perhaps time you did as it is a fairly awesome How To mix of home-brew practical effects using household items and digital refinement.
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Jobs cut hit hundreds as the studio's woes continue amidst disappointing box office figures and low share prices.
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Often some of the more creative work you will see over the course of any given year, this year’s Academy-nominated short films are set to air on the big screen. Catch them while you can.
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SYNC is a Sci Fi high concept short film by our friend and RedShark contributor Hasraf Dulull (HaZ)
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In the run-up to the 2015 Oscar's, we're highlighting nominees in the Visual Effects category. First up: Interstellar and a behind-the-scenes featurette that explains how the production brought its black hole into being.
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Here's another chance to read Peter Haas' article on how by doing despicable things to your video data, you can get wonderful results!
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The colour grading process on the Ridley Scott's epic Exodus: Gods and Kings may be instructive for those looking to tackle a project that will be exhibited in 2D and stereoscopic 3D.
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 Use a touchscreen as an NLE controller? Actually, it works rather well
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