The Canon 1DC is a curious camera. Based on a top-end DSLR design, with essentially only some additional firmware it becomes a 4K camcorder as well. But where does it fit into the increasingly complex matrix of options around high res, high dynamic range (i.e. RAW) devices that are available today at approximately affordable prices?
Convergent Design, who gave us one of the biggest product surprises at NAB 2013 with their Odyssey monitor/recorders, has released pricing information about their modular system, including daily rental options for additional and camera-specific codecs
The Lightworks team announces a massive improvement in Long GOP performance, which means that Editors don't have to transcode from their camera formats before they edit
This demo shows how advertising in the future will make use of the time, weather, location and probably your pulse-rate to target and engage (or possibly enrage?) you
If a film is in black and white it is fairly safe to say that it is likely to be old rather than new. Colour is a more recent thing than monochrome. And this is about as old as you can get with colour film
We're taking this at face value. If this is what it says it is, it's the first proper video from a Magic Lantern-modified 5D mk III showing actual raw video
Wired has just published an article about Intel's set top box and speculates whether it might be capable of 4K.
Well, it's actually more than speculation. It seems likely to us that at least one version of the STB (and perhaps there will only be one version) will sport a 4K capability.
Red comes clean, saying "yes, we are late on almost everything, but it's worth it because what we do is great and changes everything for the better". (Our paraphrase - exact text follows)
When the first external recorders for DSLRs came out in 2011, there was a drawback: they didn't work with DSLRs! Now, slowly, that is changing, but the 5D mk III is the big one and now, with its newly released firmware, a clean HDMI output is available to record externally
Now that the dust has settled and heads are clear after the industry’s annual jaunt to Vegas, Azule Finance’s Peter Savage reflects on this year’s show that bought the future into focus