RedShark News

Here's what it really takes to make an iconic VFX sequence

Published in Post

Here's a great video that shows the intensive research and development that goes into creating an iconic VFX shot

Adding intentional damage to your video

Published in Post

Have you ever thought about the close connection between electric guitars and modern post production techniques? It's just possible that you haven't. After all, resemblance between a Marshall amplifier and DaVinci colour grading console is minimal, to say the least

VFX protests mar the Oscars

Published in Business

Red Shark correspondents have written about some of the travails affecting the VFX industry before, but at the Oscar ceremony on Sunday night protests made the news as well.

Thunderbirds are Go...Again

Published in Production

Recently at Red Shark Towers a friend sent us a link to an HD scan of the title sequence from the iconic UK children's TV series, Thunderbirds. Proving that smooth CGI and eye-popping VFX isn't always necessary, this show has obsessed generations in the UK, despite the fact that it was essentially a puppet show with a few explosions in.

Data Bending: Creating Unique Digital Visual Effects

Published in Post

By doing despicable things to your video data, the results can be wonderful

Open Source VFX Training

Published in Business

Redshark’s VFX Columnist -HaZ interviews the founder and man behind the VFX Learning Open Source Project, an idea that could well be a game changer in the visual effects industry especially as demand for talent is ever increasing

Tempo: Red Giant's calling card

Published in Post

Increasingly, the makers of visual effects software produce shorts to showcase their products. This week, it’s Red Giant Software’s turn to dazzle

Here are some fascinating things that we learned from our sessions at London's Broadcast Video Expo

Dwarf Labs: Montpellier's VFX innovators

Published in Post

Redshark’s VFX Reporter HaZ takes a trip to Montpelier to visit Dwarf Labs: a CGI animation studio in Montpellier, just off the French Mediterranean seashore. Dwarf’s ambition is to create world-class computer-generated imagery that appeals to audiences of all ages.

In the final installment of Peter Jackson’s video blog, the director introduces The Hobbit’s post crew, while the team scrambles to complete the film.

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