We don't have any details on this but this blurry photo does appear to be the first picture of a Sony FS700 kitted out with what we assume is the AXS-R5 Raw Recorder, which is the only way that the FS700's 4K output can be accessed and stored
There's always a moment when the harsh nature of reality is crystallised; when however hard you try, you can't pretend any more that things are OK. For most people, this type of thing happens when they get their first credit card bill after Christmas. For Red, one imagines, their corporate hearts stopped for a moment last Tuesday, 30th October, when Sony revealed the scale of their new camera ecosystem.
Sony's PXW-X180 is a very forward-looking camera, with mutliple codecs, several storage options, and a good looking lens. Sony's Product Manager Bill Drummond talks us through the new features
Sony release new Sony FS700 models.
Here's our post IBC show in its entirety. It's a long one - over an hour, so if you haven't got time for all of it in one session, we've indexed it below so you can jump straight to the parts that interest you
As we saw in my previous article on sensor technology, we can now build sensors with enormous numbers attached to them - if not trivially, at least reliably. Given that current 4K sensors are more than adequate to replace 35mm film in terms of sheer resolution, we need to be careful about turning this into a numbers game.