RedShark News

CMOSIS upgrades CMV12000 sensor to 300fps at 4k (4,096 x 3,072)

Patent litigation is not a spectator sport

Published in Business

You may have heard that one of the top camera manufacturers is taking legal action against another for alleged patent infringement. This is news, but there's very little point in speculating about the outcome at this stage. Only a select group of people working for those companies will have access to evidence that proves the rights or wrongs of the case. We certainly don't

This camera breaks the laws of physics

Published in Technology

Hot on the heels of Nokia's 808 PureView, a smartphone with an over-endowed 41 MegaPixel sensor that allows smooth, lossless digital zooming, comes the Sony NEX-EA50EH. It's definitely not a phone, but does share one fascinating feature in common

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

The art of Colour Rendering

Published in Post

Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue

RED EPIC Monochrome: First impressions

Published in Production

We've been given a RED EPIC M Monochrome to use for a couple of weeks, lent to us by RED’s European headquarters in Pinewood Studios, West London. Why does this very high resolution black and white video camera even exist?

How to understand Dynamic Range

Published in Technology

Camera performance is now measured as much in terms of Dynamic Range as Resolution. Phil Rhodes explains this essential aspect of camera technology

Sensors need better technology, not more resolution

Published in Technology

Recently I've been expressing the view that all cameras are pretty much the same, because they all use the similar technology (give or take) for their sensors. I don't mean to be unnecessarily cruel about the work of camera manufacturers – taking an electronic component such as an imaging sensor and making it into a usable tool is far from trivial. Still, the absolute performance of cameras is determined by what you can get off the lump of silicon behind the lens

Red Dragon Sensor: "More resolution than 65mm film..."

Published in Production

RedShark contributor Phil Rhodes pointed out something to me the other day that sounds obvious when you hear it: that camera makers never used to make film, and yet - if you can remember that far back - it is the film that determines the quality and feel of the photograph (and the lens, of course), not the camera

Replay - The best of 2012: 8 bit or 10 bit?

Published in Technology

In case you missed first time around, here's one of the best articles from 2012, by Phil Rhodes: 8 bit or 10 bit? The truth may surprise you!

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