RedShark News

A Kickstarter-funded digital 16mm camera is one of 2012's most intriguing stories.  RedShark's reporter Peter Haas talks to Joe Rubinstein, co-founder of Digital Bolex

Off the Shelf 4K sensor can do 150fps!

Published in Technology & Computing

Another "off the shelf" 4K high speed sensor

How to understand Dynamic Range

Published in Technology & Computing

Camera performance is now measured as much in terms of Dynamic Range as Resolution. Phil Rhodes explains this essential aspect of camera technology

Now you can use the moon as a lighting rig

Published in Technology & Computing

Canon is one of the relatively few manufacturers that develops its own sensors. This means that they're in a great position to create new sensors with new capabilities, and that's just what they've done with their new 35mm Full Frame CMOS sensor for video capture

This sensor sees everything

Published in Technology & Computing

Imagine Google Earth or Google Maps represented not as a still image, but as a full-motion video, showing the positions of cars, people and even birds in real time

To mark the occasion of the new year, our editor has asked me to come up with some predictions for the coming twelve months

RED unleashes the Dragon

Published in Business

As expected Red have announced the release of the new Red Dragon sensor. The Specs are: Epic Dragon 6K. 6144 x 3160 resolution at up to 100fps. Three additional stops of dynamic range over Epic M-X

Blackmagic Cinema Camera: Latest news

Published in Business

There's so much interest in Blackmagic's Cinema camera that we're bringing you updates as soon as we get them

Vintage lenses for large-sensor cameras - Part 1

Published in Production

Here's another chance to read this meticulously detailed feature, where Uli Plank shows us how to look for lenses up to 50 years old, and use them with our modern, large-sensor cameras.

Most large-sensor cameras use a Bayer colour filter pattern to allow full colour images to be output - after "debayering". This entire process is now pretty routine but unfortunately what is also routine is the amount of light lost through the colour filter process. Less light means more noise, and noise is what ultimately limits the low-light capabilities all cameras

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