RedShark News

What if the RED Dragon was a still camera?

Published in Technology & Computing

 

The technology in video and still cameras is converging, as still sensors become capable of video at very high resolutions. But why to some cameras cost 20 times more than others?

Just when it seemed Panasonic completely missed the 4K boat, the camera manufacturer shows up to dock with its very own 4K sensor. Could a camera be that far off?

Blackmagic Cinema Camera: Latest news

Published in Business

There's so much interest in Blackmagic's Cinema camera that we're bringing you updates as soon as we get them

A Kickstarter-funded digital 16mm camera is one of 2012's most intriguing stories.  RedShark's reporter Peter Haas talks to Joe Rubinstein, co-founder of Digital Bolex

The art of Colour Rendering

Published in Post & VFX

Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue

How to understand Dynamic Range

Published in Technology & Computing

Camera performance is now measured as much in terms of Dynamic Range as Resolution. Phil Rhodes explains this essential aspect of camera technology

Last time, we discussed some of the technical concerns of lens selection and the issues of compatibility with sensors of various configurations and sizes. In this part, we'll look at the effects sensor size has on photography and the engineering compromises behind lenses and sensors

Blackmagic: How to handle difficult PR

Published in Business

If you're one of the people who's preordered a Blackmagic Cinema Camera, unless you're very lucky, you will probably have noticed that you don't actually have one yet. RedShark, in common with the rest of the world’s media, is eagerly awaiting the arrival of a camera to put through its paces.

Vintage lenses for large-sensor cameras - Part 1

Published in Production

Here's another chance to read this meticulously detailed feature, where Uli Plank shows us how to look for lenses up to 50 years old, and use them with our modern, large-sensor cameras.

Most large-sensor cameras use a Bayer colour filter pattern to allow full colour images to be output - after "debayering". This entire process is now pretty routine but unfortunately what is also routine is the amount of light lost through the colour filter process. Less light means more noise, and noise is what ultimately limits the low-light capabilities all cameras

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