RedShark News

RED is gung ho over 4K

Published in Distribution

RED doesn't think that 4K is moving fast enough. They have a vested interest in thinking this. As arguably the first camera company to have 4K cameras on the market, their lead is is being challenged by newcomers from the more established companies

Take4D: Visualizing the Impossible

Published in Technology

When Hollywood comes calling and asks you to accomplish a miracle, it’s time to step up. Just ask Richard Widgery and the visualization specialists at Take4D.

RED unleashes the Dragon

Published in Business

As expected Red have announced the release of the new Red Dragon sensor. The Specs are: Epic Dragon 6K. 6144 x 3160 resolution at up to 100fps. Three additional stops of dynamic range over Epic M-X

Where's RED in the Oscars?

Published in Production

 

RED cameras are used in so many films. So why aren't they showing up in the Oscar nominations?

Red Dragon Sensor: "More resolution than 65mm film..."

Published in Production

RedShark contributor Phil Rhodes pointed out something to me the other day that sounds obvious when you hear it: that camera makers never used to make film, and yet - if you can remember that far back - it is the film that determines the quality and feel of the photograph (and the lens, of course), not the camera

First actual pictures from the RED Dragon Sensor

Published in Technology

Actual photos emerge from the new RED Dragon sensor. RedShark contributor Freya reports

What do these dragon images mean?

Published in Technology

Over the weekend we brought you the first images that were from the new RED Dragon sensor. We thought they looked sensational, and said so, but before everyone (including us) gets carried away, it's worth injecting a note of caution into the frenzy that surrounds this new sensor

The Dragon's a sensational sensor!

Published in Production

More glimpses of the power of the dragon are coming to light, and it’s coming as a bit of a shock, it would appear that this dragon really does breathe fire

Filtering Your Look

Published in Production

A show’s look is a powerful storytelling cue that helps orient an audience to a story’s intended genre and tone. In general, comedies look sharper, bluer, and more immediate. Dramas look more diffused, warmer, and past tense. It is the cinematographer’s responsibility to create a look that is consistent with the program’s genre from the very first frame. In this article Barry Braveman looks at how this can be achieved. 

New "Mini-Mag" media format for RED cameras

Published in Production

You may think that the world doesn't need another expensive storage format when generic storage is getting cheaper and faster all the time - but this new RED format guarantees performance in situations where your footage is almost inevitably going to be worth many times more than your memory

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