RedShark News

Why the new ProRes update for the Blackmagic cameras is going to change everything for users of the Blackmagic pocket camera and open possibilities to new users who thought it might be out of reach for them too!

Sony Alpha 99 Provides Clean HDMI Output

Published in Production

We've just heard from PhotoKina that the Sony A99, with it's 24 megapixel full-frame sensor, outputs a clean HDMI signal that works with external field recorders. This is looking like an established trend now.

Blackmagic Hyperdeck Shuttle 2 now supports Apple ProRes HQ

Published in Production

Blackmagic Design yesterday released an update for its $345 Hyperdeck Shuttle 2 recording device enabling recording of Apple ProRes HQ files.

Perhaps in response to the recent Sony F5 'hack' (or perhaps not; who can say?), Sony has announced that it will now be offering a software only 4K recording upgrade for the Sony F5, in addition to its full Sony F5 to F55 hardware upgrade.

First Footage from AJA Cion 4K camera

Published in Production

 AJA has surprised everyone with this mature-looking 4K camera for $9,000

Atomos Ninja 2 + Nikon D800: Part 3 of 3

Published in Production

Phil Rhodes looks at how you would use the Ninja 2 and Nikon D800 on a shoot. But first he compares HDMI and SDI.

Major new software upgrade for ARRI ALEXA

Published in Production

One of the best things about modern cameras is that they just keep getting better - even after you've bought them, they just keep getting better

Atomos Ninja 2 + Nikon D800: Part 2 of 3

Published in Production

Phil Rhodes looks at the Atomos Ninja 2 Field Recorder in this second part of his Nikon D800 + Ninja 2 review.

Somewhat surprisingly, Sound Devices has added the ability to record 12-bit, 4:4:4 content to Apple ProRes 4444 format at 330 Mbit/s, giving a "perceptually lossless" quality to stored material

The best Magic Lantern footage we've ever seen

Published in Production

 

Andre Meyer has produced some wildlife footage using a Canon 5D Mk III, the like of which we've never seen

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