RedShark News

Why are there so many camera codecs?

Published in Technology & Computing

Why can't cameras all use the same codec?

This new device from Atomos is what DSLR users have been waiting for - and its half the price we expected!

The best Magic Lantern footage we've ever seen

Published in Production

 

Andre Meyer has produced some wildlife footage using a Canon 5D Mk III, the like of which we've never seen

Somewhat surprisingly, Sound Devices has added the ability to record 12-bit, 4:4:4 content to Apple ProRes 4444 format at 330 Mbit/s, giving a "perceptually lossless" quality to stored material

3.2K ProRes comes to the Arri Alexa XT

Published in Technology & Computing

 ARRI makes it clear that the Alexa is a camera for the 4K future

Why the new ProRes update for the Blackmagic cameras is going to change everything for users of the Blackmagic pocket camera and open possibilities to new users who thought it might be out of reach for them too!

Major upgrade to PIX 240 from Sound Devices

Published in Production

Sound Devices has just posted a major firmware update to its Pix 220/240 series of file-based recording devices

Fifteen years ago, audio over the Internet was broadcast - and stored - as RealAudio. For those of us listening in over dial-up or downloading one-minute clips, it was an unexceptional entry into the world of new media. Kieron Seth  wonders what will happen to our soon-to-be outdated media files.

We take a look at Cinemartin's Cinec 4 transcoding tool and whether it's worth a premium over lower-cost and free options.

Blackmagic Hyperdeck Shuttle 2 now supports Apple ProRes HQ

Published in Production

Blackmagic Design yesterday released an update for its $345 Hyperdeck Shuttle 2 recording device enabling recording of Apple ProRes HQ files.

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