Another chance to read this fantstic pair of articles: If you use a professional digital camera, you can't go far without understanding the relationship between sensors, lenses and depth of field. It's slightly more complicated than you might have thought!. Phil Rhodes makes it understandable
Last time, we discussed some of the technical concerns of lens selection and the issues of compatibility with sensors of various configurations and sizes. In this part, we'll look at the effects sensor size has on photography and the engineering compromises behind lenses and sensors
This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses.
Sigma surprised a few people when they announced their new 18-35mm zoom lens with a constant f/1.8 aperture back in April. Now they've surprised a few more by announcing the price - $799
When it comes to dedicated lenses and 4k, lots of people have an opinion. One that’s probably worth listening to more than most, however, is that of Cooke Optics chairman, Les Zellan, who tells Andy Stout that he’s not impressed
The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.
We're giving a lot of space to the Digital Bolex project because it's genuinely different and original. And the news keeps coming, and it's getting weirder, but still plausible. In fact there are such dramatic ideas coming from the little Kickstarter company that you have to begin to wonder how much it's going to change the world of video
One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses