RedShark News

A GoPro anamorphic lens adaptor for $199!

Published in Production

Now you can have cinematic widescreen with the GoPro Hero - ready to go with your new 21:9 television!

New Canon Cinema EOS System Lenses

Published in Production

Canon has released two new lenses to for its growing Cinema EOS System. The CN-E 14mm T3.1 L F and the CN-E 135mm T2.2 L F are aimed at a wide range of uses "from low to high-end", according to the lens and camera manufacturer

Last time, we discussed some of the technical concerns of lens selection and the issues of compatibility with sensors of various configurations and sizes. In this part, we'll look at the effects sensor size has on photography and the engineering compromises behind lenses and sensors

4K lenses. What does that even mean?

Published in Technology & Computing

When it comes to dedicated lenses and 4k, lots of people have an opinion. One that’s probably worth listening to more than most, however, is that of Cooke Optics chairman, Les Zellan, who tells Andy Stout that he’s not impressed

Phil Rhodes looks at if Samyang's Lenses will be able to compete with in a market with an unbelievable price - eight to twenty times lower than the competition!

It’s fast but it’s also a zoom lens! For a long time now, zoom lenses have been firmly in the world of compromise. They are practical in terms of saving lots of time on low budget productions but that advantage comes at a cost.

Vintage lenses for large-sensor cameras - Part 2

Published in Production

Here's another chance to read part 2 of this beautifully detailed article on selecting a vintage lens for your large-sensor camera

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses.

Erik Vlietinck tries out the lens correction in this major new update with a GoPro camera

The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.

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