This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains.
Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse
Color in TV dramas has never been more sophisticated
We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is