RedShark News

Color grading in black and white

Published in Post

Tim Burton’s stop-motion Frankenweenie calls for black and white grading

Processing colour with analogue eyes

Published in Post

Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

Color in TV dramas has never been more sophisticated

Colour Correction Overload?

Published in Post

We love colour grading. The way you can transform mundane-looking footage and turn it into something rich and compelling is magical

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

Built with Blender: Tears of Steel

Published in Production

For anyone that hasn't seen it yet, Tears of Steel is a heavily CGI-based short film that demonstrates the Open Source Blender's abilities as an end-to-end VFX and finishing pipeline

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains.

With digital, file-based production, your experience on-set during productions is a potential minefield. Throw a complicated raw workflow into the equation, and you need help. That's the reasoning behind Magic Bullet's BulletProof

Here's how to make your films look good

Published in Production

You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

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