RedShark News

Color in TV dramas has never been more sophisticated

Here's how to make your films look good

Published in Production

You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains

What colour is night?

Published in Post

What colour is night? This simple question leads to some deeper questions about colour in film making

With digital, file-based production, your experience on-set during productions is a potential minefield. Throw a complicated raw workflow into the equation, and you need help. That's the reasoning behind Magic Bullet's BulletProof

RedShark Summer Replay: What Colour is Night?

Published in Post

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Processing colour with analogue eyes

Published in Post

Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

Built with Blender: Tears of Steel

Published in Production

For anyone that hasn't seen it yet, Tears of Steel is a heavily CGI-based short film that demonstrates the Open Source Blender's abilities as an end-to-end VFX and finishing pipeline

Color grading in black and white

Published in Post

Tim Burton’s stop-motion Frankenweenie calls for black and white grading

Using Resolve with the Blackmagic Cinema Camera

Published in Post

Blackmagic have just released a firmware update for the Cinema Camera which together with the latest version of Resolve bring a few changes to the workflow

State of the art colour correction - in 1987!

Published in Post

I'm no fashion guru, but I do remember that in 1987 women wore shoulder pads the size of a small country and men rolled up their jacket sleeves as if it was almost an anatomical necessity. And I spent hours trying to recreate Jan Hammer's synthesised guitar sound from the Miami Vice theme on my Korg keyboard.

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