RedShark News

Can film in the UK make a comeback? Cinelabs International certainly seem to think so, as they have just acquired Bucks Media Services which is one of the few small film labs left in the UK

Film fights back in Christopher Nolan's latest film

Can Blackmagic resurrect film?

Published in Business


You know what you never hear in the edit bay? “This looks too much like film, can we make this look less filmic?” John Burkhart reports

The future of film must include celluloid

Published in Business

A recent event held at the Getty Research Institute in the USA saw the likes of Christopher Nolan argue the case for the use of film in the digital era, against a backdrop that saw a mere 39 commercial US releases shot on 35mm in 2014.

It's a suggestion that runs directly counter to the past few years’ worth of digitisation efforts, but the producers of feature documentary ‘Side by Side’ have chosen to archive their movie on film stock. They might have a point

Digital makes everything faster, right?

Published in Technology & Computing

Where did all the time go?

Mexico: Putting the "business" in to film

Published in Business

Mexico, with its lengthy border with the USA, has a thriving culture, but lacks the financial means to compete with it's northern neighbour. Sergio L. Brito explains about Mexican history, culture and film making.

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Toda, we're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject.

 If you live in the US and want to see a Paramount movie on 35mm, you're going to have to go and watch Anchorman 2. Well, it is described as “nearly as funny as its predecessor” on Rotten Tomatoes

Analogue Film: the Sequel

Published in Technology & Computing

Phil Rhodes looks at how Ferrania could be generating new prospects for photochemical film

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