RedShark News

Film vs Digital: here's the reality.

Published in Technology & Computing

We're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Toda, we're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject.

An elegantly arranged test between some well known digital cameras and an analogue one!

ISO ratings made perfect sense in the days of photochemical film but only serve to muddy the waters when it comes to assessing camera performance in the digital age.

Digital Bolex: It's a drama

Published in Business

Never mind that it will be used to shoot drama - the story behind the design and production of the Digital Bolex D16 is a drama in itself

Is this finally the end for film?

Published in Technology & Computing

ARRI's Alexa 65mm has made us think that it's a good time to look again at this question

Super 8 is becoming popular again

Published in Technology & Computing

"...it's perhaps surprising that the Super-8 film format is still – in what we might have expected to be the twilight of its years – quite popular. The popularity of retro-styled web imaging services like Instagram is another instance of what I suspect may be the same trend, and goes some way toward confirming the suspicion that distressed images are now just as fashionable as distressed jeans"

 Digital video can now demonstrably beat film in every way. So why do we keep comparing the two?

It's a suggestion that runs directly counter to the past few years’ worth of digitisation efforts, but the producers of feature documentary ‘Side by Side’ have chosen to archive their movie on film stock. They might have a point

What is it about Film?

Published in Production

"There is no creative advantage to shooting film" says a top industry figure.  So why do top movie directors keep using it? By Matt Aindow

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