RedShark News

If you're still taking pictures with film, there are still quite a few places that will develop it for you, and some, even, who will scan the images send them to you in a digital form. But what do you do if you've discovered a stash of old film footage?

Practical 3D Filmmaking

Published in Production

Karl Schodt is an experienced 3D filmmaker. He believes that 3D's time is still to come; but come it will, and it will be soon

Why adding noise to video can be good

Published in Technology & Computing

Adding noise to video may seem daft, but sometimes, it's the best thing to do

It just won’t go away, will it? However much you can prove with specifications that digital video is indisputably better than film, there’s a stubborn feeling that there’s more to it than the simple-to-prove facts. We think we've indentified one, subtle, process that helps film to store more visible information than digital.

Film fights back in Christopher Nolan's latest film

Is this finally the end for film?

Published in Technology & Computing

ARRI's Alexa 65mm has made us think that it's a good time to look again at this question

Analogue Film: the Sequel

Published in Technology & Computing

Phil Rhodes looks at how Ferrania could be generating new prospects for photochemical film

ISO ratings made perfect sense in the days of photochemical film but only serve to muddy the waters when it comes to assessing camera performance in the digital age.

Kodak Motion Picture Film Gets New Life

Published in Studio & Broadcast

Kodak, and the photochemical film business in general, has been reeling of late. But a recent deal ensures many more years of 'real film'. RedShark Technical Editor Phil Rhodes reports and gives commentary.

Film is back! People are actually designing and making film cameras again. And this one uses accessible film stock - Super 8mmm

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