Peter J. Haas outlines how to go about planning a shoot that utilizes RAW image capture, including a file size comparison between DSLR formats and CinemaDNG , a discussion of shooting ratios and how this translates into storage requirements for a secure post-production environment
RedShark Replay - another chance to see our most popular articles. It's one thing for cameras to be modular: that's a good thing; but should we really have to design our own custom rig for every new device?
Broadcast Quality Audio Field Recording with Prosumer Cameras and DSLRs ("Unlocking the Mysteries of ‘Phantom Power"). RedShark contributor Craig Marshall reports
Shooting films is better lit with, you know, lights. But if you just have to use a candle as your sole light source, there's hope for you yet. Not only that, but Sony's light-sipping A7s could get you out of all sorts of low-light trouble
Ever since DSLRs started became capable of recording high definition video, their audio capabilities have lagged behind. Some people have got round this by using external field recorders, but the ones that have included "proper" audio - XLR sockets, phantom power and good preamps, have added enormously to the cost of a DSLR rig
For most people, repetition represents boredom. Doing the same thing again and again means not doing new things. A lack of innovation. An absence of creativity. But sometimes, the ability to repeat something, precisely and consistently, opens up new creative options, and can be instrumental in making something wonderful. Here's a perfect example
We’re in a really odd place at the moment in the evolution of camcorders. Nothing seems straightforward any more