RedShark News

Colour Correction basics - an excellent tutorial video

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How often do people really take the time to explain the real basics? With stuff like colour correction, while you can and should rely on your eyes and a good, colour-calibrated monitoring system, you also need to make sure that your graded output is technically OK, or it might be rejected by your client

Blackmagic Davinci Resolve 10: The full rundown

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Here's a full-length, in-depth look at Resolve 10 and the background to its development. RedShark reporter John Burkhart has been talking to Blackmagic about this seminal post production application.

Colour Grading in the Bedroom

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Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

Colour grading breakdown

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Colour grading has moved into the mainstream of video production, and we're always thirsty for advice about how get the job done convincingly - hopefully adding value to the finished work

RedShark Summer Replay: What Colour is Night?

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Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

Larry Jordan is a well known video industry figure, whose webcasts are listened to in 175 countries. We asked him about editing, color correction, the cloud, and whether he's looking forward to April's NAB - the biggest show of the year

Color grading in black and white

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Tim Burton’s stop-motion Frankenweenie calls for black and white grading

Colour Correction Overload?

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We love colour grading. The way you can transform mundane-looking footage and turn it into something rich and compelling is magical

State of the art colour correction - in 1987!

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I'm no fashion guru, but I do remember that in 1987 women wore shoulder pads the size of a small country and men rolled up their jacket sleeves as if it was almost an anatomical necessity. And I spent hours trying to recreate Jan Hammer's synthesised guitar sound from the Miami Vice theme on my Korg keyboard.

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