RedShark News

What do electric guitars have to do with colour correction?

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Well, nothing really. But some of the tech used to coax new sounds from electric guitars is similar to some types of video production techniques. It's worth taking an "out of the box" look at how the two compare. Oh, and there's some great guitar playing as well

Colour Correction Overload?

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We love colour grading. The way you can transform mundane-looking footage and turn it into something rich and compelling is magical

Colour Correction basics - an excellent tutorial video

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How often do people really take the time to explain the real basics? With stuff like colour correction, while you can and should rely on your eyes and a good, colour-calibrated monitoring system, you also need to make sure that your graded output is technically OK, or it might be rejected by your client

Using Resolve with the Blackmagic Cinema Camera

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Blackmagic have just released a firmware update for the Cinema Camera which together with the latest version of Resolve bring a few changes to the workflow

RedShark Summer Replay: What Colour is Night?

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Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Larry Jordan is a well known video industry figure, whose webcasts are listened to in 175 countries. We asked him about editing, color correction, the cloud, and whether he's looking forward to April's NAB - the biggest show of the year

Colour Grading in the Bedroom

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Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

Blackmagic Davinci Resolve 10: The full rundown

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Here's a full-length, in-depth look at Resolve 10 and the background to its development. RedShark reporter John Burkhart has been talking to Blackmagic about this seminal post production application.

Colour grading breakdown

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Colour grading has moved into the mainstream of video production, and we're always thirsty for advice about how get the job done convincingly - hopefully adding value to the finished work

State of the art colour correction - in 1987!

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I'm no fashion guru, but I do remember that in 1987 women wore shoulder pads the size of a small country and men rolled up their jacket sleeves as if it was almost an anatomical necessity. And I spent hours trying to recreate Jan Hammer's synthesised guitar sound from the Miami Vice theme on my Korg keyboard.

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